2025, tulipiere 27 X 14 x 14", Media: Stoneware, Firing Process: Electric, Mid-range, Surface: Engobe / Slip / Underglaze, Glazed, Pattern, Unglazed
Part of a large installation of Carnivorous and Poisonous Dinnerware, this pieces is part satire, part social commentary
2025, variable, Media: Stoneware, Firing Process: Electric, Mid-range, Surface: Engobe / Slip / Underglaze, Glazed, Image transfer / Decals / Screenprint, Oxide, Pattern, Unglazed
Installation view of a recent exhibition at the Furlong Gallery, U of WI Stout School of Art & Design, featuring 4 installations, consisting of both functional work and sculpture
2025, 12 x 12 x 1.5 inches, Media: Stoneware, Firing Process: Electric, Mid-range, Surface: Engobe / Slip / Underglaze, Glazed
Part of an installation entitled "Poisonous and Carnivorous Dinnerware". Each plate includes instructions for use on the reverse. The piece is satirical social commentary on our fraying social structures.
2025, 5 x 6 x 4", Media: Stoneware, Firing Process: Electric, Mid-range, Surface: Engobe / Slip / Underglaze, Glazed, Pattern, Unglazed
2025, N/A, Media: Earthenware / Terracotta, Porcelain, Stoneware, Firing Process: Electric, Wood fired, Surface: Engobe / Slip / Underglaze
This image shows a group of students participating in a project with the social practice project I founded in 2015 with a group of potters. Pots On Wheels is a not-for-profit educational outreach project focused on expanding opportunities in ceramics to those who do not have access, including both learning to work in clay, and exhibition opportunities. Together we've sponsored numerous free programs, as well as major exhibitions on important topics. Our exhibition for 2026 is called the POW! Protest Cup Fellowship and will be featured at NCECA in Detroit.
2025, overall installation 12'wide x 8'high, Media: Mixed Media, Stoneware, Firing Process: Electric, Mid-range, Surface: Engobe / Slip / Underglaze, Glazed, Relief
Detail of a larger installation consisting of multiple octopuses and painted pop-art flowers, called Octopus's Garden, installed fall of 2025 at Furlong Gallery, Menomenie, WI.
Artist Statement
In both my sculptural and functional ceramic work, animals serve as metaphors; as characters in tiny dramas; as reminders of our impact on a fragile planet. Through years of observational drawing of plants and animals, my work is a celebration of the richness of the natural world around us, and a call for protection of that diversity. These images on plates and mugs are coded messages: in the course of enjoying a daily cup of coffee or a dinner salad, my drawings are a nudge to consider the beauty around us and the creatures we must work to protect.
Bio
Hannah holds an MFA in ceramic sculpture from Alfred University and a BA from Wesleyan University. She has taught ceramics at numerous colleges, including MassArt and Harvard University. Her recent work builds on a lifelong passion for the natural world, incorporating careful studies of flora and fauna into pottery and sculpture. She has over three decades of experience exhibiting nationally in galleries and juried craft shows, including the Philadelphia Museum of Art Show, Smithsonian Craft Show and CraftBoston, where she received the Award of Distinction. Her work is held in permanent collections including at the Michele and Donald D’Amour Museum of Fine Arts and the Alfred Museum of Ceramic Art. She is co-founder and co-director of Pots On Wheels, POW!, a community engaged craft project. She lives in Melrose, Massachusetts with her family and two bad rabbits.