Board of Directors

Brian Harper is the founder of Artaxis and currently serves as the Executive Director. In addition to his role with Artaxis, he is also a practicing artist and an Associate Professor of Fine Art and Ceramics Area Head at Indiana University Southeast. He holds a BFA from Northern Arizona University and an MA and MFA from the University of Iowa. His artwork investigates our inherent human wonderment of the unknown and the methods, mythological or otherwise, for how we give structure to elements of our observed, unobserved, and unobservable world. His work has been exhibited in over 100 national and international exhibitions, including 8 solo exhibitions. He lives in New Albany, Indiana, with his wife Tiffany and their two dogs, Oliver and Crunch, and a cat named Triscuit.

Raheleh Filsoofi is a multi-disciplinary artist and in her work, she utilizes ancient and contemporary art media – ceramics, poetry, ambient sound, and video – to make fundamental statements about perception and memory through a holistic sensory experience. She is an active participant in juried art exhibitions both in Iran and the United States, including the recent solo exhibition “Imagined Boundaries” at Abad Gallery in Tehran (2017), “Dual Frequency” a showcase of 14 award-winning South Florida multidisciplinary Artists at The Art and Culture Center of Hollywood, Hollywood, Florida (2017) and a Group Exhibition “Fragile” at The Contemporary Art Museum of Isfahan, Isfahan, Iran (2016). She has been the recipient of grants and awards such as the prestigious South Florida Cultural Consortium Fellowship for Visual and Media Artists (2017) and Dave Bown Award (2016). Raheleh Filsoofi lives and works between Tehran, Boca Raton and Edinburg. Filsoofi is Assistant Professor of Ceramics at University of Texas Rio Grande Valley in the Department of Art. She holds an M.F.A. in Fine Arts from Florida Atlantic University and her B.F.A. in Ceramics from Al-Zahra University in Iran.

Salvador Jiménez-Flores is an interdisciplinary artist born and raised in Jalisco, México. Since coming to the United States, Jiménez-Flores has contributed to the art scene by producing a mixture of socially conscious installation, public, and studio-based art. He has presented his work at the National Museum of Mexican Art, Grand Rapids Art Museum, Urban Institute of Contemporary Art, Bemis Center for Contemporary Arts and Casa de la Cultura in Jalisco, México amongst others. Jiménez-Flores recently completed a two year-long artist residency at the Harvard Ceramics Program, Office of the Arts at Harvard University. Also he served as the Artist-In-Residence for the City of Boston. Jiménez-Flores is a recipient of the Joan Mitchell Foundation Painters & Sculptors Grants and was awarded the Kohler Arts Industry Residency for 2019. He is Art teacher at Commonwealth School, Teaching Artist at Urbano Project and visiting artist at Massachusetts College of Art and Design. More about Salvador and his work can be found at www.salvadorjimenezflores.com

Samuel Johnson is an Associate Professor of Art at the College of Saint Benedict and Saint John’s University. Samuel has participated in sixty-eight exhibitions, including seven solo exhibitions. His work is in the permanent collection of the North Dakota Museum of Art and featured in the book, Stoked: Five Artists of Fire and Clay. Samuel grew up on the western prairie of the Red River Valley, outside of Breckenridge, Minnesota. Before earning his MA and MFA from the University of Iowa in 2005, he apprenticed with Richard Bresnahan, studied ceramic design at the Danish Design School in Copenhagen, Denmark, and worked in Japan as a studio guest of Koie Ryoji. He lives in St. Joseph, Minnesota, with his wife, Anne, and their four children, Harriet, Jesse, Ingrid, and Francine.

Didem Mert received her BFA (ceramics) from Northern Kentucky University in 2014 and her MFA (ceramics) from Edinboro University of Pennsylvania in 2017. Mert has exhibited nationally in places such as Lillstreet Gallery, Companion Gallery, Charlie Cummings Gallery, AKAR, and over forty other venues. Her work was published in Ceramics Monthly’s 2014 Undergraduate Showcase. She was featured on the cover of Pottery Making Illustrated’s January/February 2016 issue. Mert was included in CFile’s list of 15 Potters to Watch in 2016 and in Architectural Digest’s 10 Ceramic Artists Giving Pottery A Modern Update. Didem is currently a studio artist living in Cincinnati, OH.

Anthony Stellaccio is a freelance artist and scholar educated in both fine art and folklore. A member of the American Folklore Society, the American Ceramic Circle, and the International Academy of Ceramics, Stellaccio works around the world as an artist, writer, researcher, film maker, curator, and educator. Most notable among his professional accomplishments are two US Fulbright grants, a book on Lithuanian folk pottery, more than thirty articles on contemporary and historic ceramics, three years spent serving the Smithsonian, National Museum of African Art, and several years spent as a consultant for the Lithuanian Art Museum. Stellaccio was born in Muncie, Indiana in 1978, lived in Eastern Europe for more than seven years, and is based in Baltimore, Maryland, USA.

Kwok Pong ‘s work focuses on investigates the spatial relationship between the development of objects and human interaction. Pong originally was born and raised in Hong Kong, and decided to come to the USA to continuing his education while begin exploring the cultures differences. In 2009 he completed his BFA from Northwest Missouri State University, and completed his M.A and MFA from the University of Iowa in 2013. Pong is currently an Assistant Professor at Northwest Missouri State University, he was named as Ceramics Monthly Emerging Artist in 2014, and NCECA Emerging Artist in 2016, He spend two summer as summer resident at the Archie Bray Foundation, he has exhibited and published internationally and nationally including in China, Rep.of Korea, Romania, Germany and United Kingdom.

Adam Welch is an artist whose work is about making, labor, and decoration. Through forming, manipulating and the incorporation of design, documentation and intervention, his art explores history and material culture through one object – the brick. He is a widely read critic in such venues as Clay Times, Ceramics Art and Perception, Ceramics Monthly, and The Log Book. Adam began working at Greenwich House Pottery in 2003, was appointed Assistant Director in 2007 and Director in 2010. He began teaching at Princeton University in 2010, when he was appointed Lecturer in the Visual Arts Program. He holds a MFA in Ceramics from Virginia Commonwealth and a BFA in Art with a minor in Art Education from Northern Arizona University in Flagstaff, Arizona. He currently lives in Hightstown, New Jersey with his wife, Rachel, a fashion designer, and their two daughters.

Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado Boulder. Her work investigates the fine line between the need to preserve and a desire to re-imagine, re-configure and re-contextualize the world around her. Utilizing a variety of forming methods and clay bodies, Whittier recreates elements from nature, unites the landscapes of her reality with the landscapes of daydreams, exploits the visceral qualities of clay, and ponders the power of shared experience. The physical impressions that come through rolling, tearing, squishing, dipping, pushing, pinching, molding, casting, and scratching become representations of touch, of thought, of time spent. Whittier is an advocate for community engagement through the arts. She teaches ceramics and social practice at the Kansas City Art Institute and works from her home studio. Her work can be found at www.caseywhittier.com and www.palmpetals.com.