The CLAY Festival 2019 Exhibition, Current, will be juried by internationally known artist, Sunshine Cobb, whose work is based in the tradition of historic ceramics, yet carries contemporary themes throughout. Sunshine is the owner of Sidecar Studios, a vibrant space for ceramic artists and other creative community activities in Sacramento, California. As a full-time studio […]
Programs Coordinator – Red Lodge Clay Center
Employment Opportunity – Programs Coordinator The Programs Coordinator will work with the Executive Director, RLCC Staff, and Residents to fulfill the mission statement set forth by the Red Lodge Clay Center. The primary responsibilities of the Programs Coordinator will focus on three specific areas: Residency Programs, Education Programs, and Communications. The following descriptions and duties […]
Artist Residencies at the Flower City Arts Center
The Ceramics Studio at the Flower City Arts Center is looking for 2 – 3 artists-in-residence for September 2019 through August 2020. The resident will have 24/7 access to a private studio space, a $1500 firing stipend, materials at cost, and a small (grant dependent) living stipend. In return the studio requires 10 hours weekly […]
KC Clay Guild Artist in Residence – Applications due 4/15
KC Clay Guild Artist in Residence Program August 2019 Start Date Applications due April 15, 2019. Description: An ideal Artist in Residence candidate for KC Clay Guild is an artist ready to jump-start their career in ceramics. Applicants do not need to have any formal education in the ceramic arts, but must demonstrate their passion […]
Facilities Coordinator – Red Lodge Clay Center
The Facilities Coordinator will work with the Executive Director, RLCC Staff, and Residents to fulfill the mission statement set forth by the Red Lodge Clay Center. The primary responsibilities of the Facilities Coordinator will focus on two major areas; Facilities Management and operation of the retail Clay Business. The following descriptions and duties will apply […]
Call for Entries: Clay National XIV
The Carbondale Clay Center presents “Clay National XIV Nature Reconsidered: Reimagining the Natural World Through Ceramics,” a national exhibition of ceramic art held annually at the Carbondale Clay Center. Deadline to submit is May 17th, 5pm MST. Awards: Best in Show $500, Staff Selection $250, & Locals Favorite $100. Submit work here: https://www.carbondaleclay.org/clay-national-xiv This year’s […]
Artist In Residence, Craft Alliance
Now accepting applications for residencies beginning July 1, 2019 Deadline to apply: April 15, 2019 Media requirements: Fiber, Clay, Jewelry & Metalsmithing, Wood Length of Residency: 6 month residencies available The Artist-in-Residence program supports emerging and mid-career artists to develop their artwork in a collaborative, community-based arts center. This residency is for self-directed artists that […]
Visiting Faculty – Alberta University of the Arts – deadline extended
The deadline for this year’s Visiting Artist Faculty position at Alberta University of the Arts has been extended. ACAD (the Alberta College of Art and Design) recently changed it’s name to the Alberta University of the Arts but the program, the position and the students remain the same – all stellar! Please consider applying and […]
Assistant Professor, Fine Art (Ceramics/Sculpture) at San Diego City College
San Diego City College is hiring an Assistant Professor, Fine Art in Ceramics/Sculpture. Closing date 04/01/2019. The instructor will teach courses in the Fine Art Program with emphasis in Ceramics/Sculpture. Primary responsibilities of this position include supporting the department in program and curriculum development; teaching classes across a broad spectrum of the area of Fine […]
Indian Ceramics Triennale: Urban Legends
Indian Ceramics Triennale: Urban Legends by Shirley Bhatnagar “Breaking Ground” India’s first Ceramic Triennale concluded In Jaipur with record number of visitors. It celebrated and showed the wide ranging ways the medium has been used in India with the thrust not on traditional practices but rather on how artists are reinterpreting the most ancient material […]
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