Stephanie Osser - Artaxis.org

lithophane- turtle landscape+book illustration-stephanieOsser copy 2

Stephanie Osser - "Turtle Landscape Lithophane"
2017, 13" x 10" x 1/8 ", Media: Porcelain, Firing Process: Electric, Mid-range, Oxidation, Surface: Engobe / Slip / Underglaze, Relief
Here is my "Turtle Landscape Lithophane". As a an illustrator of non-fiction children's books, textbooks, cookbooks, craft books, this image for me represents another way to use my copyrighted book illustrations. In this case, the image of swimming turtles was a page out of a children's book called "All About Eggs," a first book for young children, about where babies come, written by Millicent Selsam and illustrations copyrighted by me with my given name before marriage, ©Stephanie Fleischer Osser. The February 2022 issue of Ceramic Monthly Magazine printed my article about how to make your own lithophanes, the way I learned at my wonderful residency at the International Ceramic Studio, Kecskemét, Hungary.

Stephanie Osser - "Clay Tunes: Conducting Ceramics Classes with Music Music Music"
2003 - 2022, Collage with largest image 36” x 24” x 3” and smallest image 6” x 6” x 1/2”, Media: Earthenware / Terracotta, Mixed Media, Porcelain, Stoneware, Firing Process: Electric, High-fire, Low-fire, Mid-range, Oxidation, Reduction, Soda fired, Surface: Engobe / Slip / Underglaze, Glazed, Image transfer / Decals / Screenprint, Pattern, Relief, Unglazed

This new 2022 image is a collage of some of my Illustrations in Clay and Porcelain. I am now conducting musical ceramic workshops for children, bringing me such joy. As a singer in a Boston area Swing Band, I specialize in lovely songs by my favorite Irving Berlin and the brothers George and Ira Gershwin, and also sing in the soprano section of the Masterworks Chorale. You’ll find me sketching at concerts by the Boston Symphony Orchestra, the Boston Pops, and other famous orchestras and bands. These illustrations inspire my ceramics. The text explains my newest teaching of children in workshops devoted to sharing my favorite ceramic techniques. We’ll also be listening to Jazz and Classical international music with instrumental soloists accompanied by orchestras and bands. Imagine our classes with this music played quietly in the background for inspiration and focus. Children will learn the unique sounds of the musical instruments as their hands work with the clay, and perhaps decide to study a favorite instrument one day.

My former student, Jamaal Eversley, a painter, actor and community arts coordinator, invited me to collaborate with him for an exhibit with several of his artist friends called Real F.R.I.E.N.D.S., at the Beacon Gallery, Boston, this past September and October 2020. I met Jamaal at Babson College, when I ran the ceramic program for students from Babson, Wellesley and Olin Colleges. Several of these students were Jamaal’s collaborators in this exhibit at Beacon Gallery with their multi-medias. Eversley sat for his portrait in my studio, before Covid-19 broke out, as I created him in terra cotta clay. He was my art director throughout. He had plans to have his portrait holding canvases of collaged photo paintings of Martin Luther King, Jr. and another canvas photo painting of the Women’s March. Another collaborator friend, Melissa Shaak, another artist in the show, created a documentary of my process from clay to finished sculpture, with dynamic film footage of Martin Luther King and his follows within a moving meaningful documentary, that spoke to our times. Because of Covid-19, and the need to work from a distance, Eversley took the sculpture to his studio, and painted the clothing with acrylic, instead of the underglaze originally planned. https://vimeo.com/454082486 (the documentary of this piece and it's significance)

Stephanie Osser - "Hope"
2020, 18" x 18" x 18", Media: Earthenware / Terracotta, Mixed Media, Firing Process: Electric, Mid-range, Oxidation, Surface: Engobe / Slip / Underglaze, Relief, Unglazed
My former student, Jamaal Eversley, a painter, actor and community arts coordinator, invited me to collaborate with him for an exhibit with several of his artist friends called Real F.R.I.E.N.D.S., at the Beacon Gallery, Boston, this past September and October 2020. I met Jamaal at Babson College, when I ran the ceramic program for students from Babson, Wellesley and Olin Colleges. Several of these students were Jamaal’s collaborators in this exhibit at Beacon Gallery with their multi-medias. Eversley sat for his portrait in my studio, before Covid-19 broke out, as I created him in terra cotta clay. He was my art director throughout. He had plans to have his portrait holding canvases of collaged photo paintings of Martin Luther King, Jr. and another canvas photo painting of the Women’s March. Another collaborator friend, Melissa Shaak, another artist in the show, created a documentary of my process from clay to finished sculpture, with dynamic film footage of Martin Luther King and his follows within a moving meaningful documentary, that spoke to our times. Because of Covid-19, and the need to work from a distance, Eversley took the sculpture to his studio, and painted the clothing with acrylic, instead of the underglaze originally planned. https://vimeo.com/454082486 (the documentary of this piece and it's significance)

For the Clay Studio, Philadelphia, and their exhibit “100 Years 100 Women” 50 artists were invited to create 2 portrait plates each, to commemorate this 100th anniversary of the constitutional amendment giving women voting rights. Choosing 2 noteworthy performing artist friends, I created portrait plates of each: Viola da Gamba and Cello musician, Shirley Hunt; and Lyric-Soprano Opera Singer/ Puppeteer, Suzanne Pemsler, who created her puppets as well. They were delightful to work with, as I made each my art director to be sure I represented them to the best of my ability. Involving them throughout the process, from a safe distance by phone, with email and photos send back and forth, we were constantly in touch, and smiling.

Stephanie Osser - "Suzanne Pemsler-Puppet Divas"
2020, 12" x 12" x 2", Media: Porcelain, Stoneware, Firing Process: Electric, Mid-range, Oxidation, Surface: Engobe / Slip / Underglaze, Glazed, Relief
For the Clay Studio, Philadelphia, and their exhibit “100 Years 100 Women” 50 artists were invited to create 2 portrait plates each, to commemorate this 100th anniversary of the constitutional amendment giving women voting rights. Choosing 2 noteworthy performing artist friends, I created portrait plates of each: Viola da Gamba and Cello musician, Shirley Hunt; and Lyric-Soprano Opera Singer/ Puppeteer, Suzanne Pemsler, who created her puppets as well. They were delightful to work with, as I made each my art director to be sure I represented them to the best of my ability. Involving them throughout the process, from a safe distance by phone, with email and photos send back and forth, we were constantly in touch, and smiling.

After an inspiring exhibition at the Boston Museum of Fine Arts on Della Robbia's work, in 2016, I tried to figure out how I might work in this Majolica technique. Having just become a grandmother, as you can see in this image. I painted a brown underglaze into the details. After bisque firing, majolica glaze colors were applied, and I scratched away at the details to reveal the brown line. I love the majolica process as you can see what you are doing the whole time.

Stephanie Osser - "My Della Rob-Baby"
2016, 14"x 14" x4", Media: Earthenware / Terracotta, Firing Process: Electric, Low-fire, Surface: Engobe / Slip / Underglaze, Glazed, Relief
After an inspiring exhibition at the Boston Museum of Fine Arts on Della Robbia's work, in 2016, I tried to figure out how I might work in this Majolica technique. Having just become a grandmother, as you can see in this image. I painted a brown underglaze into the details. After bisque firing, majolica glaze colors were applied, and I scratched away at the details to reveal the brown line. I love the majolica process as you can see what you are doing the whole time.

The image on the tile, made first then cast in plaster, helps to tell my Family Odyssey story. Notice the back of the boys jacket has the image of the bas-relief. When I create clay sculptures I often start with a tile, a bas-relief, to figure out my idea, my sketch. Then use it to tell my story, with a detail to enjoy from the back. This piece was asked of me, to commemorate members of my Temple Beth Elohim Synagogue, who, like me, had relatives who immigrated to America. I decided to honor my Dad, as he arrived at Ellis Island as a boy of 3, alone with his Mom, my grandmother, leading the way off the Red Starline SS Finland, a ship coming from Antwerp, Belgium. Sadly I never met my Grandfather, who passed away in the old country, so I created him too, with my Dad symbolically riding on his shoulders, arriving with his wife and son, holding the violin. That violin was played by my Dad, most days before and after work to wake us up, and encouraged me, with my singing Mom, to take up music, as a singer.

Stephanie Osser - "My Family Odyssey: Voyage on the S.S. Finland to America"
2015, 25" x 25" x 25", Media: Stoneware, Firing Process: Electric, Mid-range, Oxidation, Surface: Engobe / Slip / Underglaze, Glazed, Relief
The image on the tile, made first then cast in plaster, helps to tell my Family Odyssey story. Notice the back of the boys jacket has the image of the bas-relief. When I create clay sculptures I often start with a tile, a bas-relief, to figure out my idea, my sketch. Then use it to tell my story, with a detail to enjoy from the back. This piece was asked of me, to commemorate members of my Temple Beth Elohim Synagogue, who, like me, had relatives who immigrated to America. I decided to honor my Dad, as he arrived at Ellis Island as a boy of 3, alone with his Mom, my grandmother, leading the way off the Red Starline SS Finland, a ship coming from Antwerp, Belgium. Sadly I never met my Grandfather, who passed away in the old country, so I created him too, with my Dad symbolically riding on his shoulders, arriving with his wife and son, holding the violin. That violin was played by my Dad, most days before and after work to wake us up, and encouraged me, with my singing Mom, to take up music, as a singer.

Akio Takamori and Paul Scott at Guldagergaard, 2011 & 2012 I was lucky to spend two residencies at Guldegergaard, Denmark. In 2011, Akio Takamori was there, by chance, and was so kind and helpful to all of us resident artists. In 2012, I had a Print on Porcelain workshop, again luckily with Paul Scott, and as an illustrator began to make silkscreens and in-glaze transferware. In both images I was celebrating the outstanding contributions of these 2 great artists. Akio, standing in front of the Appfel His Gallery there, next to his Alphabet figures, with Akio busts on the gallery . He is standing in from of images made by Danish artist Sten Lykke Madsen and American artist Kim Dickey. The image on the left, of Paul Scott, delivering his outdoor tile mural, he made in 2012, during my second residency there. I was impressed with the cargo bikes that the Danes travel on with their children or groceries in tow. I had a chance to help with the mural and learn lots of print on porcelain tricks from Paul's workshop, and sang in the local town of Skaelskor chorale once a week. A wonderful experience all around!

Stephanie Osser - "Akio and Paul at Guldagergaard"
2012, 8" x 8" x 8"// 7" x 9" x 4" , Media: Porcelain, Firing Process: Electric, High-fire, Oxidation, Surface: Image transfer / Decals / Screenprint, Relief, Unglazed
Akio Takamori and Paul Scott at Guldagergaard, 2011 & 2012 I was lucky to spend two residencies at Guldegergaard, Denmark. In 2011, Akio Takamori was there, by chance, and was so kind and helpful to all of us resident artists. In 2012, I had a Print on Porcelain workshop, again luckily with Paul Scott, and as an illustrator began to make silkscreens and in-glaze transferware. In both images I was celebrating the outstanding contributions of these 2 great artists. Akio, standing in front of the Appfel His Gallery there, next to his Alphabet figures, with Akio busts on the gallery . He is standing in from of images made by Danish artist Sten Lykke Madsen and American artist Kim Dickey. The image on the left, of Paul Scott, delivering his outdoor tile mural, he made in 2012, during my second residency there. I was impressed with the cargo bikes that the Danes travel on with their children or groceries in tow. I had a chance to help with the mural and learn lots of print on porcelain tricks from Paul's workshop, and sang in the local town of Skaelskor chorale once a week. A wonderful experience all around!

All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glaze fired transfer decals.. The nesting pitchers, are my own designs, first created in plaster, then cast from positive plaster forms for slip casting. Silkscreens of my sketches were screened directly on the 2 orchestra pieces. The violinist is Pinchus Zuckerman, conductor is me, with my creative license. On the piano with singer image, the soprano is Renee Fleming. The 2 screened images are included in the "500 Prints on Clay" Lark publication ©2013. The nesting pitchers were included in an ICAN ceramic calendar.

Stephanie Osser - "All Together Now"
2012, 7" x 9" x 6", Media: Porcelain, Firing Process: Electric, High-fire, Oxidation, Surface: Engobe / Slip / Underglaze, Glazed, Image transfer / Decals / Screenprint, Unglazed
All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glaze fired transfer decals.. The nesting pitchers, are my own designs, first created in plaster, then cast from positive plaster forms for slip casting. Silkscreens of my sketches were screened directly on the 2 orchestra pieces. The violinist is Pinchus Zuckerman, conductor is me, with my creative license. On the piano with singer image, the soprano is Renee Fleming. The 2 screened images are included in the "500 Prints on Clay" Lark publication ©2013. The nesting pitchers were included in an ICAN ceramic calendar.

Often inspired by a title, the year I made this, 2014, NCECA had its annual meeting in Providence, Rhode Island. The theme that year was “A Lively Experiment!” My husband has an old chemistry set, and our family are big fans of Gilbert & Sullivan Operettas, I combined the two ideas. Characters from “The Mikado”, “Iolanthe”, “Patience” and the “Mr. and Mrs Doyle Carte”, the impresarios supporting Gilbert and Sullivan are represented here. My daughter, my son and I have sung in several of these operettas as well. I cast the glass test tubes and Erlenmeyer flasks from the chemistry set in plaster moulds, and cast them in porcelain slip. Then with porcelain clay sculpted the charming characters emerging from them. They were lots of fun to make, and were in an exhibit at the Fuller Craft Museum during NCECA that year.

Stephanie Osser - "A Lively Experiment: the Chemistry of Gilbert & Sullivan"
2014, 9" x 19" x 6", Media: Porcelain, Firing Process: Electric, Mid-range, Oxidation, Surface: Engobe / Slip / Underglaze, Glazed, Relief
Often inspired by a title, the year I made this, 2014, NCECA had its annual meeting in Providence, Rhode Island. The theme that year was “A Lively Experiment!” My husband has an old chemistry set, and our family are big fans of Gilbert & Sullivan Operettas, I combined the two ideas. Characters from “The Mikado”, “Iolanthe”, “Patience” and the “Mr. and Mrs Doyle Carte”, the impresarios supporting Gilbert and Sullivan are represented here. My daughter, my son and I have sung in several of these operettas as well. I cast the glass test tubes and Erlenmeyer flasks from the chemistry set in plaster moulds, and cast them in porcelain slip. Then with porcelain clay sculpted the charming characters emerging from them. They were lots of fun to make, and were in an exhibit at the Fuller Craft Museum during NCECA that year.

website resume contact

Artist Statement

At a time when the world’s news is filled with hardships, fearful concerns, negativity, and divisiveness, I have committed my art to the uplifting of the human spirit and as an emanation of optimism. It is my hope that each work of art I create will take its beholders into a world of light— whether it is through my lithophanes, the use of bright and colorful glazes against luminescent backgrounds, or explorations of the properties of light and shadow, and my music inspired inspirations.

Bio

Stephanie Osser works from her studio in Needham, MA. She became a book/editorial illustrator, and then illustrator in porcelain, stoneware, juggling both. She began her career while in graduate school for ceramics at the University of Montana, studying with Rudy Autio, and working for the Anthropology and Wildlife Departments illustrating research papers. The New England Aquarium, Boston, hired her as their staff illustrator for exhibits. Then there were collaborations with editors, art directors and designers for non-fiction children’s books, textbooks, and adult trade books with major publishers. Cookbooks by famous chefs, gardening books and magazines, and editorial food illustrations for the New York Times, the N.Y.Daily News, and the Boston Globe built her illustration portfolio.With her specialty in food still-life and step-by-step instructional illustrations showing hands making food recipes, she was hired to illustrate puppets and crafts. This included a fun stint working with the artists and crafts people who created those charming Muppet characters, at Jim Henson Associates. Osser then brought her two-dimensional illustration to 3D ceramics, working in porcelain and stoneware, reusing many of her copyrighted book illustrations. Architectural ceramics, in-glaze transfer-ware decals, and lithophanes (back-lit translucent porcelain imagery), have become ceramics specialties. For Babson, Olin and Wellesley College students, she managed their ceramics studio and gave workshops. Awarded a Mellon grant, she and the students made ceramic murals celebrating green energy and sustainability on their campuses. More knowledge/inspiration was obtained at ceramic residencies: Guldagergaard, Denmark; Kecskemét, Hungary; Medalta, Canada, Watershed in Maine, and the Ceramics Program Office for the Arts at Harvard University. She has works included in permanent collections at The Statue of Liberty Ellis Island Museum, The International Museum of Dinnerware Design, the Blair Museum of Lithophanes, the Red Star Line Museum, Antwerp, Belgium, and the Needham, Massachusetts Historical Society. Her ceramics have been included in a long list of juried ceramic exhibitions. Working in the field of education, and teaching her techniques in workshops with children and adults give her joy. Music, and singing in a classical chorale and a swing band, her other passionate pursuits, inspire her work. In 2022-22, she started teaching workshops for the fun youngest children in K – 4th grade. The classes are called “Clay Tunes,” introducing great Classical Music & Jazz, featuring solo musical instruments, to inspire the children while they create.