Recontextualizing utilitarian objects is a common thread woven throughout my work. My interest lies in what an object once was and what it can become; this curiosity inspires me to create my work. I reference functional, everyday objects and intend to formalize them by focusing on their form, surface, and stance.
I am passionate about collecting and the theories involved. Why do we collect and display certain objects? What new meanings arise once they are grouped among similar objects? Within a collection everyday objects have the ability to gain importance as members of a whole. They start to become more than the sum of their parts, subtle nuances are noticed, and there is the potential to give value to valueless objects.
I find function a vehicle for expression, while also allowing approachability to my work. Sets, such as creamer and sugars and salt and peppers, lidded containers, and pails are my primary forms. My work is small and intimate in size. These handheld objects are constructed with slabs that softly drape over one another creating threedimensional drawings throughout the surface of the piece. These lines are kept visible to accentuate the process of the making.
What fuels my interest in the making of clay objects is a constant curiosity to fulfill a set of personal intentions. I believe this continuous search allows my work to remain sustainable and timeless.