‘Hidden’ is a large installation including multiple ceramic pieces and several ink paintings. It’s a collage of recollections from my past, present, and imagination. Installing multiple works together evokes a different context, allowing the viewer to walk amongst and to see additional aspects in a new focus.
The Character Components of Landscape
Old, new, familiar, unfamiliar, I’m constantly searching for myself somewhere in between. I use soft color palette and velvety glaze surfaces to mimic the Chinese pigment. Those glazes run and pool naturally with gravity and form, bringing a sense of nature into the work.
Void Spaces
Inspired by the concept of ‘empty space’ in Chinese art, from my early memories of practicing traditional Chinese ink painting. The bottom of the mountain’s silhouette and the edge of the frame create a negative space, an optical illusion, allowing change and transition to unfold.
Clouds Flow
Clouds are important elements and motifs in Chinese culture and mythology, created between heaven and earth, representing vehicles for traveling between spaces. This work explores the movement of clouds, the fluidity of nature, and my diasporic experience moving from one culture to another.
Cloud Mountain #3
Nature continuously changes. It moves, as I have moved. Mountains, clouds, and rivers coalescing from memories of my hometown, also speak of different relationships to place. Recalling and abstracting these elements in my memory gives me the ability to translate, imagine, and graft them together into a poetic ceramic moment.
Given
I reference the scholar’s rock in Chinese culture. Its meaning is “respected stones.” Unlike the traditional manner of displaying the rock on top of a wooden base, ‘Given’ is installed against the wall, with a white pedestal that balances the rock in this unique corner.
Loop #5 (detail)
Until I moved away from home, I had little conscious appreciation of my environment. ‘Loop’ is not only a representation of the actual landscape; it mirrors the feelings of respect and appreciation for my past, culture and tradition. It’s a process of seeking a deeper understanding of my identity.
Loop #5
‘Loop’ indicates no beginning or end, but places an emphasis on the path itself. Amid the dislocation and ambiguity of being neither here nor there, I anchor myself by tracing my past and taking inspiration from the early memory of my hometown (Guilin)’s landscape after a long departure.
Parit Scutum
A piece and Apart
The small casework that houses objects from shared memories about a particular family member. Chosen through conversations and reflection, the items were carefully crafted through hand building, carving, wheel throwing, and molds to best express the shared influence. The box is built from a material commonly used to construct home cabinets and has pockets tailored […]
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