“Underpinning” shows two iterations of a grid, one that is supported through connections and a second that has been stretched thin with no support, distorting the geometry. The work illustrates the consequences of social division and the lack of social support.
Birthright
“Birthright” consists of two similar forms, each with differences that are surface deep. Both are blue on one side & purple on the reverse, showing a division between them based on how they are viewed. One is elevated for no apparent reason, reflecting on social privilege & questioning inequality.
Encircle
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Embrace
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Ebb and flow
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Vessica Vessel
Resplandor
Found metal grate, folded & cut paper & paint. Site-specific installation for “Intervenida” solo show at Julio Fine Arts Gallery at Loyola University (Baltimore, MD).
Knot Theory
red clay & copper carbonate
Arbómetro 2
scrap wood & metal, reeds, wire, glue, clay-based paint & gesso
Arbómetro 1
scrap wood & bark, cardboard, palm leaves, wire, glue, beeswax, clay-based paint & gesso
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