yunomi
Tie-dyed Porcelain Cup
This work features celadon glaze and Kiangxi quinhua – Jingdezhen under-glaze blue and white – and 24 k Roman gold. These pieces utilize a runny celadon glaze gas reduction fired, and re-firing at low temperature for gold and enamel applications. Gold nuggets are stoneware clay fragments with gold applications.
Lotus Teacup
This intensity of color on this piece derives from premium Kiangxi Jingdezhen quinhua and 24k Roman gold. It is gas reduction fired to cone 10 celadon glaze and re-fired at low temperature for gold application.
Lotus Mixed Media Cup
This piece features under-glaze blue and white (quinhua), Chinese over-glaze enamels and 24k Roman gold. It was gas reduction fired to cone 10 and re-fired to low temperature in 3 firings for gold and enamels.
Quinhua Warrior
This work features under-glaze blue and white (Jingdezhen quinhua), 24k German gold and silver. The original arrowhead icon signifies bravery. Gas reduction fired and low firings electric kiln for 24k gold and silver.
Plate With Flower Medallions
This plate features over-glaze enamels – fahong red, youhong red, fencai – and 24k gold. After reduction firing the piece was hand-painted and re-fired in multiple firing to layer on media. Original flower signifies intrinsic goodness, externally and internally.
Woven Bourbon Bottle
The Woven Bourbon Bottle was press-molded and gas reduction fired. Hand-painted gucai over-glaze enamels were electric fired. Enamels were built up abstractly to highlight the inherent luminosity and tactile qualities of the transparent over-glaze media.
Vase With Flower Medallion
Vase with Flower Medallions was press-molded and fired cone 10 reduction. Traditional gucai over-glaze media and 24k German gold was hand-painted in layered applications and re-fired in multiple electric low temperature firings (6 firings). The work features the luminosity inherent to the media to render a sensual stately but joyful enriching presence.
Earth Warrior
Two golds are applied to provoke luminosity through contrast in an earthy patina. The work is press-molded and features over-glaze enamels (youhong red, fencai), 24 k Roman and German golds, and copper lustre. The piece is about yun – literally, an ochre-like substance found in the stream-beds of Tibet, but more broadly referring to places […]
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