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Ryan Mitchell

28x28x40 cm, 2017
70x30x90cm, 2016
90x26x32 cm, 2017
95x30x95 cm, 2017
35x38x60 cm, 2014
35x38x 82 cm, 2014
30x25x50 cm, 2017
36x34x38 cm, 2017
60x50x110 cm, 2015
110x25x78 cm, 2015

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Statement

The earth seems eternally subjected to renewal cultures demolish an discard the tattered, quickly proceeding towards the new. Without sentiment trees are uprooted for roads and mountains reshaped for living. Earth pushed and lifeforms overturned, rivers diverted and lakes drained; we don’t consider this slow type of violence until nature comes with its own brutality. Fires burn and mountains slide, sometimes springtime comes and new life emerges, sometimes piles of ash and waste only remain with a void of what was once present. Demolition, aggression and violence are an inherent part of our existence, but grace is also. Grace comes in nature as well as human action. Both aspects are part what what is involved in creativity and living.

— Ryan Mitchell

Bio

Ryan Mitchell is International Curator and Coordinator for Jingdezhen Ceramic Institute. Ryan has worked extensively in China curating and creating. Ryan has been resident artist at Australian National University, McKnight Residency of the Northern Clay Center, Gaya Ceramic and Design, The LH Project, Clay Studio of Missoula, and Red Lodge Clay Center. He holds his M.F. A from the University of Montana Missoula. He is represented by the Nevica Project.

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