“Birthright” consists of two similar forms, each with differences that are surface deep. Both are blue on one side & purple on the reverse, showing a division between them based on how they are viewed. One is elevated for no apparent reason, reflecting on social privilege & questioning inequality.
Encircle
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Embrace
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Ebb and flow
The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Vessica Vessel
Resplandor
Found metal grate, folded & cut paper & paint. Site-specific installation for “Intervenida” solo show at Julio Fine Arts Gallery at Loyola University (Baltimore, MD).
Knot Theory
red clay & copper carbonate
Arbómetro 2
scrap wood & metal, reeds, wire, glue, clay-based paint & gesso
Arbómetro 1
scrap wood & bark, cardboard, palm leaves, wire, glue, beeswax, clay-based paint & gesso
Thorny Compromise
Red clay, agave thorns & yucca seeds
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