The spatial composition references textile patterns. I grew up encircled by the comfort of homemade textiles and now surround others in similar ways. Those soft and fleeting moments are captured in ceramic form as a gesture to sensorial memories of warmth and belonging.
Vessica Vessel
Seed of Life 1: La Milpa (Three Sisters Garden)
Corn, beans and squash seeds from Pie Ranch & Demeter Seed Library on cotton canvas with agave fiber rope & cotton thread. Site-specific installation for the “MexiCali Biennial: Land of Milk & Honey” at the Santa Cruz Museum of Art & History (Santa Cruz, CA).
Resplandor
Found metal grate, folded & cut paper & paint. Site-specific installation for “Intervenida” solo show at Julio Fine Arts Gallery at Loyola University (Baltimore, MD).
Painting/Portal of Porotos
Seeds in the Legume (bean) Family from the Somos Semilla Seed Library on cotton canvas with agave fiber rope & cotton thread
Knot Theory
red clay & copper carbonate
Arbómetro 2
scrap wood & metal, reeds, wire, glue, clay-based paint & gesso
Arbómetro 1
scrap wood & bark, cardboard, palm leaves, wire, glue, beeswax, clay-based paint & gesso
Seed Hive 1: The Sowing
Sunflower, squash, bean & beet seeds from Somos Semilla Seed Library in cardboard with wheatpaste & clay-based paint
Thorny Compromise
Red clay, agave thorns & yucca seeds
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