Concretely rendering the aforementioned facts, via a graphic design and set of materials present on his work, elements not taken at random, he deals with the major economic issues of today. And misdeeds of technological advance. Sometimes collagist, he uses prepaid cards or motherboard of electronic devices (Mobile phone) to express about this highly sensitive subject.
Also, as an artist haunted by the desire to awaken and liberate his own until then in prism of politico-economic slavery, he exploits likewise, subject relating to culture. Hammering on his own, which he finds in perdition, he does not hesitate to represent scarification coming into music with the schematic aspect of printed circuit he exploits. At the same time, he prunes the valorization of his own culture as the Chinese did, while opening himself to others in this global village.
He participated in various workshops, residencies, exhibitions in DR Congo and China. Members of IAC, International Academy of Ceramic, Assistant teacher at the Academy of Fine Arts in Kinshasa. He is from the generation of artists who have opted new artistic practices and the adaptation of themes relating to the realities of their immediate environment.