There is room for awe and even for childhood trauma, fading or relived. My sculpture encapsulates the dialogue of internal memories and external landscapes. Making is reliving fading traumatic memory as a landscape painting.
Landscape made in clay links to geologic time and metamorphosis. Questioning how architecture and landscape hold humanity, I think about my body contained in the spaces, my body as a container, and the space being contained in the larger body of humanity. Experiencing body and reasoning what that experience does is questioning self in relationship with space.
This body of work claims my position of authority; a space that is my own space. Physically imposing enough to envelop the viewer, intensity of the labor, repetitiveness, and palliative obsessiveness manifest as the understanding of the universe. It asks about my identity as an artist, a daughter, and a human in the most honest and genuine way.
— Ara Koh
Her works had been exhibited in South Korea and in the United States. Ara received numerous awards including the Minister of Foreign Affairs Honor by the Korean government. Her works are collected by Alfred Ceramic Art Museum, Daekyo Culture Foundation, Winell Corporation in Korea, and many personal collectors. Ara Koh currently lives and works in Washington DC.