Installation

In order of most recently updated:

Raheleh Filsoofi

This is a gallery shot of the exhibition "Calling Home- 2025 Mississippi Invitational", a group invitational exhibition curated by TK Smith. This image is a view of my piece "Migration Across Continents", an installation of thrown and carved highfired porcelain.

Allen Chen

Jackie Brown

Christina A. West

Nanxi Jin

Steve Belz

A counter-cum-workbench, tools and utensils act as both still life and kitchen in this installation. The smell of freshly cut pineapple seduces a viewer to slice, dice and pick to engage.

When is the last time you considered a pineapple? When is the last time you purchased a pineapple? Was it pre-skinned and diced? Prickly pineapples are slow laborious to cultivate. Each must be picked by hand, it is a cumbersome fruit. A worker wears full body armour when harvesting due to the knife-like spikes protruding from the tops of the fruit. A once-coveted Florida crop in the early 1900’s, the Dole company squashed the Florida-based industry by establishing its present day sites in Hawaii. The tropical fruit was a delicacy and the symbol for hospitality. At the end of a social gathering the host would ceremoniously cut the top off of the fruit, a sign that the party had ended. Still today, you can simply plant the top of a pineapple and cultivate your own.

Abundance is key to this installation. The viewer is free to take, to participate.

Bridget Fairbank

Natalya Sevastyanova

Natalya Sevastyanova

Mitch Shiles

Behind these wall pieces are unfired slip, made from the same clay as the sculptures. As the exhibition went on, the slip slowly cracked. The beams symbolize the joy and hope these prairie inspired creatures giving me. The cracking brings a reality of trying to sustain this hope in an often harrowing world.

SK Reed

Miles Matis-Uzzo

2013, Unfired clay, video projection, 4’’ x 66’’ x 102’’

Rachel Eng

Tsehai Johnson

Constance McBride

Brian Boldon

8 minute sequenced projected animation over ceramic objects

Christopher Williams

Twiggy Cercy

David Morrison

Eugene Ofori Agyei

Eugene Ofori Agyei

Elaine Buss

Amanda Salov

Radiolarian Water Droplet | Jenni Ward ceramic sculpture

Jenni Ward

Rebecca Hutchinson

hand painted porcelain

Ian F. Thomas

Ladder, 2x4s, Hardware, Lights & Electrical Components

Mark Cowardin

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Forrest Sincoff Gard

Brittany Sievers

Brittany Sievers

Robert Bucek

Jessica Kreutter

Christina Erives

inkjet print on watercolor paper, kaolin, porcelain aged in the forest for 1 month.

Marianne Chénard

William DePauw

Amythest Warrington

Amythest Warrington

Patrons were invited to view this piece from underneath. Detail of cascading starry forms.

Photo credit: Karl Griffiths Fulton

Samantha Dickie

Ehren Tool, “393”

William Arthur Ehren Tool

Silver Gelatin Chemigram made with breath, vaseline, hands

Cali M. Banks

A. Blair Clemo

2014, Porcelain on Acrylic

Daisy Quezada Ureña

June Woest, “At Home in Here”

June Woest

Magdolene Dykstra

Each embroidery represents each woman's hand-drawn blue print and map of her domestic space and how she moves around it.

Martha Underriner

site specific, 2013

Kristin Schimik

Germinating, 2011, floor installation, porcelain, acrylic, rubber, foam. 3 Ceramic dome

Susan Beiner

Additional materials: leather, fur, sequence fabric, sheep wool yarn, banana leaf yarn and fig tree

Dina Perlasca

Thesis work installed in Focus Gallery at the University of Florida. All other images are of the same installation.

Sonia Vera-Leon

Dylan Beck

Casey Whittier

Kushala Vora

Dennis Ritter

2020,1min20sec Video

Link to View Video: https://youtu.be/9a9U3VrFXj4

Magnificent corpse is a play on the game exquisite corpse focusing on the intricacies of identity development, fragmentation, body dysphoria, and self acceptance.

Jasmine Fetterman

This piece consists of multiple short performances and involves the pouring of tea on unfired clay cookies as a way to explore cultural and familial loss.

Habiba El-Sayed

This installation is a culmination of five years of work. Like time, my work seemingly has no end. It is through the change of installation, the continued growing amount of work, and through continued conversations which makes my work forever changing. The constant is the cube, just as time is a seemingly constant as well.

Danielle Weigandt

Materials: Hand built Earthenware, Porcelain, Stoneware, Woven Electrical Wire, Knit and Crocheted Fishing Line, Handmade paper pulped from Upcycled Old Clothes (Denim, Cotton, Linen) and Plants (Flax, Dahlia), Antique Hooks, Rust Dye

Danielle O'Malley

Two of the works in this series, Wall, and Gate seek to locate the body in a place of yearning anticipation, of wanting to reach for the other side, beyond the barrier and border. In the first of these, Wall, the room for the installation is divided into two halves. The viewer can enter into one side or the other, but once there cannot cross to the opposite side. The wall in this instance is composed of thirteen transparent panels with each one grounded in concrete building blocks, as if the foundation of home. The panels are scaled to the size of a door, and carry an array of white porcelain doorknobs suggesting an array of choice, yet none can turn, nor open passage to the other side. On one side of the installation a single white porcelain key is suspended from a golden thread, swaying and turning gently, yet just out of reach.

Katayoun Amjadi

Natalia Drobot

- porcelain sculptures, multi-fired, underglazed, painted and glazed, on wooden bases and structures - pyrography on wood, painted, varnished- 2016 solo exhibition series Match at public gallery Art-image in Gatineau- awarded the Prix du CALQ – Œuvre de l’année en Outaouais – Work of the Year in the Outaouais 2017, and recently exhibited in the solo public exhibition Source et ressource at the Centre D’Art Rotary in La Sarre, Quebec from Nov 2019 to Feb 2020- a visual exploration of the manifestation of the boxing sport as transformative of the human figure- the artist allowed the town of Buckingham’s emotional investment in their boxing hero Gaétan Hart to become the central theme

Lisa Creskey

Delia Maxim

Rebekah Bogard

Collaborative show with the artist Chris Miller, where we individually made the works and installed them in the alternative ceramic gallery, A+B Projects in Los Angeles. The only collaborative piece we made for the show is the hanging work, titled Seashell Crazytown

Brittany Mojo

Kristina Rutar, “Invading the space"

Kristina Rutar

Aimée Papazian, “Sunny Side Up”

Aimée Papazian

Eric J. Garcia, “Evo of a Hero”

Eric J. Garcia

Eugenia Bracony, “Proyecto Montaña”

Eugenia Bracony

Laura Pehkonen, “Balancing acts” (detail)

Laura Pehkonen

Helena Tuudelepp, "The Wall"

Helena Tuudelepp

Rekha Goyal, “The Memory of Water”

Rekha Goyal

Clay, Acrylic, PC-11, 17x19x18”, 2018

Sydney Ewerth

5’ x 8’ x 30”, Stoneware, 2010

Sharbani Das Gupta

2018, fabric organza, wooden stick, acrylic cotton, plastic rug, latch hook, 70 x 90 cm

Nia Gautama

Cluj International Ceramics Biennale, Cluj-Napoca, Romania, 2017, low-temperature woodfired earthenware 960 C

Vlad Basarab

2/17, 35” x 41” x 11”, Ceramic and Steel Frame

Kelsie Rudolph

Ceramics, Metal, Concrete, and Thread, 36” x 36” x 10”, 2018

Matthew Eames

Ginny Sims, “A Room from Six Towns” (northwest view)

Ginny Sims

Hillel O'Leary, “____is where the _____is”

Hillel O'Leary

Kiana Honarmand, “Resilience”

Kiana Honarmand

Chris Drobnock, “untitled (AM/PM- the passing of time.)”

Chris Drobnock

Roberto Cambi, “The Oracle at the Chapel of St Barnabas in Soho, London”

Roberto Cambi

Porcelain, oxides, car paint, 22,5 cm x 7,5 cm x 5 cm.

Marie-Josée Comello

Khaled Sirag, “The Brave Ostrich”

Khaled Sirag

2017, Light Sculptures- Stoneware, shelf, light and shadows, Size including shadows 32 X 24 X8 inches each

Madhvi Subrahmanian

Porcelain, hardware, springs, birch plywood, 144 in x 96 in x 12 in // 366 x 244 x 30cm, 2012

Amélie Proulx

H-15cm; 2016; Earthenware

Lia Bagrationi

left:31” x 11” x 40.5”,middle:17.5” x 13.5” x 29.5”,right:25” x 19” x 43”, Earthenware, 2017

Gabrielle Grace Graber

chamotte mass, glaze, 250 x 70 cm

Maciej Kasperski

d45cm, coloured paperporcelain

Annika Teder

Ngozi-Omeje Ezema, “Think Tea, Think Cup II”

Ngozi-Omeje Ezema

Porcelain, 6.25’’x 23.5’’x 21’’, 2012

Renqian Yang

2019, earthenware, stoneware, glaze, candles, oil paint on panel, 15’ x 6.8’ x 8’ overall installation

Stephanie Kantor

13”x14”x14”, aluminum, ceramic shell, wire

Trevor King

B-mix Porcelain, underglaze, cone 6, 11.5 x 11 x 11.25 inches, 2015

Danielle Wood

Stoneware and porcelain fired mid-range without glaze, dimensions variable

Christina Warzecha

Charity White, "SW 5th Ave. and 13th St."

Charity White

2018, Stoneware, Anthracite Coal, Charcoal, Performer

Bailey Arend

Unfired Porcelain, Fiber, Wire, 4ft. x 5 ft. x 3 ft., 2014

Kate Roberts

Ceramic, Plastic,Aluminum,Wood,Wire, Cement, Plaster, Paper, Hardware. 72’’x10’’x72’’. 2013

Natasha Hovey

2015, Inkjet print, 28x20”

Lauren Kalman

Size: H 29’’ - W 24’’ - 17’’, Technique: Hand-Building, Materials: Kyanite Clay, Date: 2011

Rafael Corzo

2015, Cone six porcelain, underglaze image transfer, glaze, and leather carrying case. 15” x 10” x 9”

Jeni Hansen Gard

96x135x86”, Russian Baltic birch, steel, latex paint, paper, 2015

Tai Rogers

FLO(we){u}R re-performs a World War One terra cotta test bomb factory. The dummies were used to train pilots in aerial bombing by filling these vessels with baking flour and dropping them from planes to see a white spot on the landscape.

Amber Ginsburg

Nichrome, ceramic, oxides, glaze, steel, filament, Photo: David Hunter Hale

Adam Shiverdecker

collaboration with Charlie Schneider, unfired stoneware, wood, resin, water, 2011

Nicole Seisler

Cone 016 Decals on Found Objects, Wire, Wallpaper, 2010

Kelly Schnorr

Ceramic, powder coated aluminum, wood, vinyl, plaster, pigment

Paul Sacaridiz

2013, porcelain, wire, paint, electrical hardware, 20'W x 14'H x 26'D

Jeanne Quinn

Stoneware, steel, underglaze, 2012

Jarred Pfeiffer

porcelain, vinyl, mixed media, 2015

Joe Page

2015. Slip cast porcelain using modular mold system, appliqué, overglaze decals, 10” x 7” x 14″

Kala Stein

Stoneware grid, iron mermaids, wooden boards, metal clock, bungee cords and found cup. Collaboration with Andy Shaw

Linda Sormin

2011, Glazed and painted earthenware, china paint overglaze decal, wood, plastic, 62 ½” h x 25 ½” w x 59 ½” d. Photo credit – Allen Cheuvront

Nan Smith

2009, 144”hx240”x48”, salt, bentonite, plastic, metal

Linda Swanson

2017, still image from the video The Seasons

Jared Theis

2014, clay, ink, wood, fiber, 150 x 184 x 7 in.

Suzanne Torres

Novie Trump

2005-06, View after several months, the artist meeting with students

Edie Tsong

porcelain, wire, h.8 x w.10 x d.10 inches, 2013

Blake Williams

Jeffrey Mongrain

mixed media, (see image description), dimensions variable, 2008

Chris Miller

Ceramics/found objects, 3’x10’x6’, 2011

Ian Meares

porcelain, reclaimed wood, cement

Marianne McGrath

Casey McDonough

2007, Archival pigment print

J.J. McCracken

2014, felt, light, hand knit and dyed cotton net, dimensions vary: ceiling height: 18’, Installed at Loveland Feed and Grain, Loveland, CO

Claudia Mastrobuono

A.M. Martens, “Home”

A.M. Martens

Porcelain (65 x 47inches)

Haejung Lee

2014, 45" X 45", Terracotta

Adam Ledford

H 3’x W 12”x D 22”, cast porcelain, found objects, wood copper wire 2016

Debbie Kupinsky

Video projection, ceramic, lace, steel, red thread, 10’ x 9’ x 9’, 2015

Xia Zhang

Ceramic, unfired clay, wire and paint, 59” x 24” x 51”, 2011

David Katz

84”w x 90”h x 47”d (in), Porcelain, Glazes, 2014

Nayoung Jeong

porcelain, size varies, 2008- 2007

Brooke Hine

Steve Hilton, “Graph I”

Steve Hilton

2014, porcelain, dimensions variable

Lauren Herzak-Bauman

* see image list for more information

Gail Heidel

2014, water jet cut aluminum, rivets, slip cast porcelain, plywood, fluorescent light, photo credit: none

Del Harrow

Holly Hanessian, “New Histories: Gadsden Farm Project”

Holly Hanessian

16”x40”x36”, cone 1 porcelain, 2014

Sarah Gross

Video with installation, 1hr loop

Nick Geankoplis

Liminal Processing of Euclidean Data to No Available End

David Gallagher

Jennifer Forsberg, ”Mutatio” & ”Candidus”

Jennifer Forsberg

Porcelain, saltwater, reclaimed wood, 20’ diameter, 2006

Naomi J. Falk

bloom series, colored porcelain, 7.5 X 4.5 X 5” (approximate dimension of each form)

Patsy Cox

Elk, clay, wood, ceramic, 4’x9’x4’, 2006

Shay Church

Branches II, Earthenware, 10 meters high, 2003, Nordic Contemporary Craft

Backa Carin Ivarsdotter

Margins: Miami, mapped video projection on twenty stories of Marquis Miami, MIami, FL

Tiffany Carbonneau

untitled, wall. Porcelain, glaze, steel, fired drywall from my studio, bedroom, and gallery homogenized/reconfigured and cast as standard 2x4 studs, dimensions varied, 2013

Brian Caponi

2016, mixed media, 12 x 144 x 72”

Brian Benfer

unfired clay, fired porcelain, tomato, photo, wood, plexi

Thomas Muller

Low fire clay, paint, video projection, size varies on space (H x W x D), * see image list

Sarah McNutt

2016, 40ft wide x 60ft long x 16ft high, Mixed Media

James Barker

100 lbs. Café Cinco clay, plywood, 2015

Lindsey Dezman

Palm Printsporcelain, 10’ x 16’, 2011. photo courtesy of Bowling Green State University

Jamie Bardsley

Panorama of Desire, Unfired earthenware clay, cardboard, carton tape, wood, Installation view, 2013

Chad Curtis

Lair, 2012, 64” x 56” x 38”, ceramic and mixed media

Trevor Bennet

Solène Chatain