Installation

In order of most recently updated:

Casey McDonough

96x135x86”, Russian Baltic birch, steel, latex paint, paper, 2015

Tai Rogers

Jennifer Schumacher Waller

Jennifer Schumacher Waller

2021, Terracotta, Monoprinted flocked wallpaper, rhinestones, Fringe

This piece explores the complex nature of identity as a universal concept, examining how identity develops and changes through time as a fluid thing. On a more specific level I want to bring up the politics of the body in relation to the feminine and the masculine as something that is intertwined, existing within a spectrum rather than within a system made up of binaries.
Dimensions: wallpaper is 10' across mirrors are 41"Hx26"W

Jasmine Fetterman

Jamie Bardsley Installation

Jamie Bardsley

Sarah Alsaied

photo credit: 传发

Grace Edwards

Bite, Performance, Ceramic Objects and Video, Since 2021

Raheleh Filsoofi

This is a gallery shot of the exhibition "Calling Home- 2025 Mississippi Invitational", a group invitational exhibition curated by TK Smith. This image is a view of my piece "Migration Across Continents", an installation of thrown and carved highfired porcelain.

Allen Chen

Jackie Brown

Christina A. West

Nanxi Jin

Steve Belz

A counter-cum-workbench, tools and utensils act as both still life and kitchen in this installation. The smell of freshly cut pineapple seduces a viewer to slice, dice and pick to engage.

When is the last time you considered a pineapple? When is the last time you purchased a pineapple? Was it pre-skinned and diced? Prickly pineapples are slow laborious to cultivate. Each must be picked by hand, it is a cumbersome fruit. A worker wears full body armour when harvesting due to the knife-like spikes protruding from the tops of the fruit. A once-coveted Florida crop in the early 1900’s, the Dole company squashed the Florida-based industry by establishing its present day sites in Hawaii. The tropical fruit was a delicacy and the symbol for hospitality. At the end of a social gathering the host would ceremoniously cut the top off of the fruit, a sign that the party had ended. Still today, you can simply plant the top of a pineapple and cultivate your own.

Abundance is key to this installation. The viewer is free to take, to participate.

Bridget Fairbank

Natalya Sevastyanova

Natalya Sevastyanova

Mitch Shiles

Behind these wall pieces are unfired slip, made from the same clay as the sculptures. As the exhibition went on, the slip slowly cracked. The beams symbolize the joy and hope these prairie inspired creatures giving me. The cracking brings a reality of trying to sustain this hope in an often harrowing world.

SK Reed

Miles Matis-Uzzo

2013, Unfired clay, video projection, 4’’ x 66’’ x 102’’

Rachel Eng

dimensions approximately - 16”x7”x7”each, porcelain, 2013

Tsehai Johnson

Constance McBride

Brian Boldon Sculptre

Brian Boldon

Christopher Williams

Christopher Williams

Twiggy Cercy

David Morrison

Eugene Ofori Agyei

Eugene Ofori Agyei

Elaine Buss

Amanda Salov

Plankton Bloom at McMurdo Sound | Jenni Ward ceramic sculpture

Jenni Ward

Rebecca Hutchinson

cut extincting gallery wall

Ian F. Thomas

Mark Cowardin

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Forrest Sincoff Gard

Brittany Sievers

Brittany Sievers

All the tiles were collected from a roof of an old house, which was condemned to demolition. Its smashed and shattered roof becomes rearranged and pieced back together to a symbolic bed – a site of rest, birth or death. Bed that incorporates the most intimate moments of life and presents a sort of tiny dwelling in the midst of a house.

Robert Bucek

Jessica Kreutter

Christina Erives

inkjet print on watercolor paper, kaolin, porcelain aged in the forest for 1 month.

Marianne Chénard

William DePauw

Amythest Warrington

Amythest Warrington

This exhibition shot includes 3 installations:
'Kiss the Joy as it Flies': 400 geometric abstracted birds in flight across the brick wall (handbill and oxidation fired)
'The Skin We're In': 9 abstracted figurative sculptures (thrown and crater glazed, 3ft tall each)
'A Speck of Dust' : starry porcelain orbs installed as a 9’ buoyant shimmering circle.

Photo credit: Cathie Ferguson

Samantha Dickie

Ehren Tool, “393”

William Arthur Ehren Tool

https://vimeo.com/505330913. Hand-painted 16mm film depicting menstruation, violence, and vaginal discharge.

Cali M. Banks

A. Blair Clemo

2016, Porcelain on Steel

Daisy Quezada Ureña

June Woest, “At Home in Here”

June Woest

Magdolene Dykstra

Materials include steel, powdered porcelain, fired porcelain, glass, and embroideries

Martha Underriner

Site Specific, 2013, Recycled red clay, volcanic rock, performer in white, pine charred by recent forest fires, red cord, black adobe, and coal

Kristin Schimik

Unintended Consequences, 2013-2014, wall piece, porcelain, wood, foam, thread, 88” x 81” x 15”

Susan Beiner

Additional material:wood

Dina Perlasca

Thesis work installed in Focus Gallery at the University of Florida. All other images are of the same installation.

Sonia Vera-Leon

Dylan Beck

Casey Whittier

Kushala Vora

Dennis Ritter

This piece consists of multiple short performances and involves the pouring of tea on unfired clay cookies as a way to explore cultural and familial loss.

Habiba El-Sayed

Growing up in northern Utah I had the mountains as my playground. I have since been fascinated by nature's repetitive way of creating natural features such as canyons and even sand. It takes billions of years for these formations to be created and are continually being carved out today. When looking at these and many more formations, I can't help but see time the way nature has given it form.

These have all been individually hand-made over the years since 2016. Along with the help of others, I have over 375,000 tiny cubes.

Danielle Weigandt

Materials: Hand built Earthenware, Porcelain, Stoneware, Woven Electrical Wire, Knit and Crocheted Fishing Line, Handmade paper pulped from Upcycled Old Clothes (Denim, Cotton, Linen) and Plants (Flax, Dahlia), Antique Hooks, Rust Dye

Danielle O'Malley

$Silent Scream is a durational and immersive ceramics and video installation. The impending shatter of clay bodies frozen in ice, presents a sense of contingency and precariousness in viewers, the anticipation of fracture. As the ice melts the body of the bottle slowly reveals itself, and as if gazing into the disappearing haze of a clouded mirror you begin to see yourself: an empty vessel, headless, perhaps heedless, with gaping mouth frozen into a silent scream. Here the systemic failures, fragilities and unpredictability of living in this historical moment is felt bone-deep before the truth of it is fully, mindfully apprehended.$

Katayoun Amjadi

Natalia Drobot

- porcelain sculptures, multi-fired, underglazed, painted and glazed, on wooden bases and structures - pyrography on wood, painted, varnished- 2016 solo exhibition series Match at public gallery Art-image in Gatineau- awarded the Prix du CALQ – Œuvre de l’année en Outaouais – Work of the Year in the Outaouais 2017, and recently exhibited in the solo public exhibition Source et ressource at the Centre D’Art Rotary in La Sarre, Quebec from Nov 2019 to Feb 2020- a visual exploration of the manifestation of the boxing sport as transformative of the human figure- the artist allowed the town of Buckingham’s emotional investment in their boxing hero Gaétan Hart to become the central theme

Lisa Creskey

Delia Maxim

Rebekah Bogard

Collaborative show with the artist Chris Miller, where we individually made the works and installed them in the alternative ceramic gallery, A+B Projects in Los Angeles. The only collaborative piece we made for the show is the hanging work, titled Seashell Crazytown

Brittany Mojo

Kristina Rutar, “On the Origin of Species"

Kristina Rutar

Aimée Papazian, “Sunny Side Up”

Aimée Papazian

Eric J. Garcia, “Freedom Flush”

Eric J. Garcia

Eugenia Bracony, “Umbrales”

Eugenia Bracony

Laura Pehkonen, “KOMBO”

Laura Pehkonen

Helena Tuudelepp, "The Wall"

Helena Tuudelepp

Rekha Goyal, “Flight of the bird”

Rekha Goyal

Clay, Latex Paint, Graphite Core, Wood, Wall Drawing: 8x16’, Sculpture: 27x27x38”, 2017

Sydney Ewerth

5’ x 8’ x 30”, Stoneware, 2010

Sharbani Das Gupta

2012, porcelain, copper wire, installation, handbuilding – crafting, variable dimension

Nia Gautama

Cantacuzino Castle, Bușteni, Romania, 2018, wood- and electric-fired red earthenware, 960C, 1500 x 400 x 100 cm / 590 x 157 x 40 inches

Vlad Basarab

3/18, 6’ x 3’ x 9”, Ceramic, Crocheted Yarn, Latex Paint, Steel, Faux Fur

Kelsie Rudolph

Ceramics, Metal, Concrete, and Thread, 36” x 36” x 10”, 2018

Matthew Eames

Ginny Sims, “A Room from Six Towns” (northwest view)

Ginny Sims

Hillel O'Leary, “Terra Incognita”

Hillel O'Leary

Kiana Honarmand, “On Edge”

Kiana Honarmand

Chris Drobnock, “untitled (introspective.)”

Chris Drobnock

Roberto Cambi, “The Oracle at the Chapel of St Barnabas in Soho, London”

Roberto Cambi

Porcelain, oxides, 440 cm x 46 cm x 14 cm.

Marie-Josée Comello

Khaled Sirag, “The Balance” (series)

Khaled Sirag

2017, 18 x 45 inches, Earthenware, Clay slip and Gold dust

Madhvi Subrahmanian

Porcelain, hardware, springs, birch plywood, 144 in x 96 in x 12 in // 366 x 244 x 30cm, 2012

Amélie Proulx

24x19cm; 2008; Porcelain, gold O/E

Lia Bagrationi

60’-8” x 32’-5”, Earthenware, Stoneware, Majolica, Hydrocal, Cold Finishes, Silk Organza, 2017

Gabrielle Grace Graber

objects, chamotte mass, glaze

Maciej Kasperski

240x65cm, paperclay, paperporcelain

Annika Teder

Ngozi-Omeje Ezema, “Think Tea, Think Cup II”

Ngozi-Omeje Ezema

Stoneware, string, 7.75’’x14.5’’x 8.25’’, 2012

Renqian Yang

2019, earthenware, stoneware, glaze, candles, oil paint on panel, 15’ x 6.8’ x 8’ overall installation

Stephanie Kantor

13”x14”x14”, aluminum, ceramic shell, wire

Trevor King

B-mix Porcelain, underglaze, cone 6, 11.5 x 11 x 11.25 inches, 2015

Danielle Wood

Stoneware and porcelain fired mid-range without glaze, dimensions variable

Christina Warzecha

Charity White, “Main St. and University Ave.”

Charity White

2018, Stoneware, Anthracite Coal, Charcoal, Performer

Bailey Arend

Unfired Porcelain, Wood, String, Fiber, 6 ft. x 3 ft. x 2 in., 2015

Kate Roberts

Ceramic and epoxy paint. 96’’ x 96’’ x 14’’. 2015

Natasha Hovey

2015, Gold-plated electroformed copper, brass, earthenware, 20x16”

Lauren Kalman

Size: H 10.5’ - W 13.5’ - D 15.5’, Technique: Hand-Building, Materials: Corzo Clay, Date:2012

Rafael Corzo

2015, Cone six porcelain, underglaze image transfer, glaze, and leather carrying case. 15” x 10” x 9”

Jeni Hansen Gard

FLO(we){u}R re-performs a World War One terra cotta test bomb factory. The dummies were used to train pilots in aerial bombing by filling these vessels with baking flour and dropping them from planes to see a white spot on the landscape.

Amber Ginsburg

Nichrome, ceramic, oxides, glaze, steel, filament, Photo: David Hunter Hale

Adam Shiverdecker

collaboration with Charlie Schneider, unfired stoneware, wood, resin, water, 2011

Nicole Seisler

Cone 6 Porcelain, Earthenware, Altered found objects, Glaze, Decals, China Paint, China

Kelly Schnorr

Ceramic, powder coated aluminum, wood, vinyl, plaster, pigment

Paul Sacaridiz

2013, porcelain, wire, paint, electrical hardware, 20'W x 14'H x 26'D

Jeanne Quinn

Stoneware, steel, underglaze, 2012

Jarred Pfeiffer

porcelain, vinyl, mixed media, 2014

Joe Page

2014. Slip cast porcelain using modular mold system, 30” x 6” x 9″ (variable)

Kala Stein

ceramics & mixed media installation at Washington State University, Pullman, WA, January, 2008

Linda Sormin

2014, Glazed and painted earthenware, glazed porcelain, photomontages on fabric, metal, wood, 121” h x 144” w x 240” d. Photo credit – Allen Cheuvront. (On exhibition at the Samuel P. Harn Museum of Art)

Nan Smith

2011, 6’x12’x14’h, bentonite clay, metal, water, wood, nylon

Linda Swanson

2018, Installation: ceramics, metal, wood, fabric, wool, wire, paint, epoxy, video, 156 x 216 x 216”

Jared Theis

2012, clay slip, fiber insulation, cement, metal rods, 87 x 63 x 63 in.

Suzanne Torres

2013, Solo Exhibition at The Thelma Sadoff Center for the Arts, Fond du Lac, WI

Novie Trump

2005-06, 5’ 4”, (The Mattress Factory, Pittsburgh, PA), plasticene, metal armature

Edie Tsong

porcelain, wire, h.8 x w.10 x d.10 inches, 2013

Blake Williams

Jeffrey Mongrain

mixed media, (see image description), dimensions variable, 2008

Chris Miller

Ceramics/found objects, 3’x10’x6’, 2011

Ian Meares

porcelain, reclaimed wood, cement

Marianne McGrath

2011, Archival pigment print, from performance with soundscape

J.J. McCracken

2014, felt, light, hand knit and dyed cotton net, dimensions vary: ceiling height: 18’, Installed at Loveland Feed and Grain, Loveland, CO

Claudia Mastrobuono

A.M. Martens

Porcelain (65 x 47inches)

Haejung Lee

2013, 8’x3’8”x2’, Terracotta and dimensional lumber

Adam Ledford

H 3’x W 12”x D 22”, cast porcelain, found objects, wood copper wire 2016

Debbie Kupinsky

Video projection, ceramic, lace, steel, red thread, 10’ x 9’ x 9’, 2015

Xia Zhang

Ceramic, unfired clay, wire and glaze, 25’ x 32’ x 12’, 2012

David Katz

22”w x 78”h x 37”d (in), Earthenware clay, metal wire 2012

Nayoung Jeong

ceramic, slip, stain, glaze, whiskers, size varies, 2008

Brooke Hine

Steve Hilton, “White and Black 15”

Steve Hilton

2014, porcelain, dimensions variable

Lauren Herzak-Bauman

* see image list for more information

Gail Heidel

2013, Slip Cast Porcelain, graphite on vellum, drawing 60” x 48” vessels each 10” x 6” photo credit: Peter Lee and Northern Clay Center

Del Harrow

Holly Hanessian, “New Histories: Gadsden Farm Project”

Holly Hanessian

16”x40”x36”, cone 1 porcelain, 2014

Sarah Gross

Unfired Porcelain, Traditional Ware Boards, Photography, Site Specific Installation

Nick Geankoplis

David Gallagher

Jennifer Forsberg, ”Jordränta”

Jennifer Forsberg

Porcelain, saltwater, reclaimed wood, 20’ diameter, 2006

Naomi J. Falk

urban rebutia at Seattle Design Center (30,000 pieces), Seattle Design Center, Seattle, Washington. March 26-31, 2012, porcelain & engobe, 72 X 168 X 336 inches (approximate installation dimensions)

Patsy Cox

Elk, clay, wood, ceramic, 4’x9’x4’, 2006

Shay Church

Branches II, Earthenware, 10 meters high, 2003, Nordic Contemporary Craft

Backa Carin Ivarsdotter

And the River Floweth On, Collaborative exhibition with Shawn Skabelund, shelled corn, mapped video projection, Greiner Art Gallery, Hanover College, Hanover, IN

Tiffany Carbonneau

Because I’ll carry you everywhere, Removed drywall from my studio embedded in the bedroom wall I grew up in, removed wall section from my bedroom, studio (pictured drywall in bedroom, still taken from video), 2011-ongoing

Brian Caponi

2016, mixed media, 12 x 144 x 72”

Brian Benfer

Thomas Müller, “white whale”

Thomas Muller

Low fire clay, plastic, paper, paint, video projection, 2’ x 4’ x 6’, * see image list

Sarah McNutt

2017, 6ft long x 4ft wide x 2ft high, Waxed Canvas, Wood, Found and Altered Object, Ceramic

James Barker

RO-62 clay, ashwood, 2015

Lindsey Dezman

Panorama of Desire, Unfired earthenware clay, cardboard, carton tape, wood, Installation view, 2013

Chad Curtis

Chomp, 2012, 48” x 36” x 20”, ceramic and mixed media

Trevor Bennet