Sculpture

In order of most recently updated:

A house that needs no heaven / Ceramic, Silver brushed / 210 x 60 x 110 mm / 2026

Hyun Jin Ahn

17"h x 59"w x 16"d, terra cotta/mixed media, 2007

Benjamin Schulman

Colleen Dwyer

2017, Ceramic, paint, crab shell, & resin, 4 x 6.5 x 8”

Hannah Lee Cameron

Shannon Blakey

Michelle Solorzano

Michelle Solorzano

Dan Molyneux, “Antikythera” (Installation View)

Dan Molyneux

Joey Downey

Casey McDonough

Materials: Poplar, terracotta clay, maiolica glaze, gauche, milk paint

Amal Tamari

Jennifer Masley

A ceramic sculpture featuring a contemplative face with sculpted objects floating around it.

Clara Grace Hoag

Rupa Shankar

Sophie Gibson

Chris Chaney

Sophie Kate Curran ‘Ruins of Modernity’

Sophie Kate Curran

My translucent porcelain lithophane was created from my non-fiction children's book illustration of turtles hatching and swimming away from a book called "All About Eggs" by Millicent Selsam. I always enjoy taking my illustrations and creating the magical dimension that occurs when translucent porcelain is backlit. It is part of the permanent collection at the Blair Museum of Lithophanes, Elmore, Ohio.

Stephanie Osser

Bernadette Frerker Larimer

Bernadette Frerker Larimer

Kevin Sudeith

Leslie Fry

this work is a wall based installation of 21 elements fired in my train kiln for 50 hours on wood.

Khanjan Dalal

Puneeta Mittal

Molly Rivera

Meaghan Gates, “Exposed”

Meaghan Gates

Linda Wren

Emily Loehle

Patrick Ryan

Connor Czora

wall hanging sculpture of a ceramic bird and fabric map

Kirsten Taylor

Stephanie Flowers

Stephanie Flowers

Guardians (right), 19 x 15 x 15 inches, Porcelain, Oil

Zora Blitz

96x135x86”, Russian Baltic birch, steel, latex paint, paper, 2015

Tai Rogers

Mac McCusker

Austyn Taylor, “Die Weltseele zu Pferde”

Austyn Taylor

Sandy Lockwood

2014, 20” x 20” x 20”, porcelain

Kelly O'Briant

Jose Arenivar-Gomez, "Coming Through"

Jose Arenivar-Gomez

Jennifer Schumacher Waller

Jennifer Schumacher Waller

2021, Terracotta, Monoprinted flocked wallpaper, rhinestones, Fringe

This piece explores the complex nature of identity as a universal concept, examining how identity develops and changes through time as a fluid thing. On a more specific level I want to bring up the politics of the body in relation to the feminine and the masculine as something that is intertwined, existing within a spectrum rather than within a system made up of binaries.
Dimensions: wallpaper is 10' across mirrors are 41"Hx26"W

Jasmine Fetterman

Jolie Ngo

Jamie Bardsley Installation

Jamie Bardsley

Or 'Midas's Touch' takes its inspiration from the Phrygian king whose golden curse originated across the
Aegean from Rhodes, in the mythological landscape of Anatolia. A lump of wedged earthenware
holds a single bite: teeth meeting clay in the body's most intimate gesture. The impression is sealed
in transparent glaze and 14ct gold lustre; the expelled fragment, equally gilded, lies beside it. Midas
could not eat, could not embrace. When touch becomes a transaction, even appetite turns to
currency.

Olivia Fero

Sarah Alsaied

Alex Paat

Susannah Israel

The Box with Newspaper is 11"x11"x7" and the ping pong paddles are 6"x10"3/4"

Byron Ashley

megumi-naitoh-liberator

Megumi Naitoh

Meg Howton

Ashwini Bhat

N. Dia Webb

22" x 29" x .5", porcelain, wood

Ilena Finocchi

Stephanie Wallendjack

Stephanie Wallendjack

coil-built stoneware

wood ash, Helmer flashing slip, mineral oil

Ryan Osborne

Angela Okajima Kempinas

Angela Okajima Kempinas

photo credit: 传发

Grace Edwards

pseudo innocence I, fired clay, glaze, glass, 41x37x42, 2013

Chang Hyun Bang

“All big things come from small beginnings. The seed of every habit is a single tiny decision.” By James Clear “The compound effect is the principle of reaping huge rewards from a series of small smart choices.” By Darren Hardy My technique of hand-building with tiny pellets of clay springs from a fundamental principle that “from many can come one.” Each bit of clay holds the mundane - my fingerprints and the sublime - my mood. Each also shows the progress of my work in its journey toward completion. It’s symbolic of human lives, consisting of many thousands of simple days and the planting of seeds.

Sooyeon Kim

stoneware cone 04 with glass, 12 x 18 x 7.5 in., 2017

Jeff Kuratnick

Bite, Performance, Ceramic Objects and Video, Since 2021

Raheleh Filsoofi

Charles Snowden

Josh Schutz

Japheth Asiedu-Kwarteng

Margaret Kinkeade

In 2024, I devised a recipe and firing schedule for art foam glass by studying chemical engineering of foam glass for architectural insulation. I have been experimenting with combining foam glass with plate glass and ceramic, using various colorants in the glass. Conceptually, the challenge is to “give physical form to air and other formless particles and vibrations.” Sculptures range from 4” X 4” X 2” to 6” X 6” X 6”

Andrea Polli

Alexander Thierry

Alexander Thierry

Ceramic, Underglaze, 10”x20”x20”, 2017

Elliott Kayser

Wei Cheng

Kari Woolsey

Chris M Rodgers

Chris M Rodgers

Logan Reynolds

Jocelyn Reid

Clayton Keyes

Diane Arrieta

Anna Graef

“DROID No. 2” was created alongside “DROID No. 1,” conceived as part of a cohesive yet individually distinct series. I wanted the forms to exist in dialogue with one another, each maintaining its own unique presence while contributing to a larger, interconnected narrative. By exploring more dynamic shapes, I aimed to push the interplay between structure and fluidity, emphasizing their shared visual language while allowing each piece to stand on its own.

Brady Fanning

A pitcher sits atop a porcelain platform that lights up with a controller. When the platform glows, a hidden pattern displays. The red surface is hand-painted and inspired by lattice structures found on insect wings. LED lights are hidden and connected to a rechargeable battery.

Aimee Marcinko

This is a gallery shot of the exhibition "Calling Home- 2025 Mississippi Invitational", a group invitational exhibition curated by TK Smith. This image is a view of my piece "Migration Across Continents", an installation of thrown and carved highfired porcelain.

Allen Chen

Stoneware, Wood, 22H x 10W x 10D in, 2016

En Iwamura

Anelise Bredow

Jackie Brown

Sahar Tarighi

Mixed media (acrylic, concrete, fiberglass on panel)

Joe Tuggle Lacina

From the "Propagation" exhibition. New ceramic work revisiting an older series of mixed media works (photography, encaustic, found objects) inspired by an abandoned greenhouse in the Dutch village where I once lived. The new ceramic works reference the tools and utilitarian vessels I remember from the site. Lead wire and recycled hand tool handle.

Tom Hubbard

Lisa Conway

Sunyoung Park

Sam Sequeira

Mallory Wetherell

Ara Koh

2015, stoneware and terra sigillata, oil washes, 20 x 20 x 35"

Jennifer McCandless

2017, glasiertes Porzellan Höhe 70 cm - glazed porcelain, height, 27,5"

Keiyona C. Stumpf

Wade MacDonald

2014, 46cm width/63cm length/ 38cm height. Stoneware with porcelain inclusion.

Ester Beck

Virginia Scotchie

Eliza Au, “Slot Cube”

Eliza Au

Charlotte Lindley Martin

Charlotte Lindley Martin

Lisa S. Truax

Christina A. West

Belding Bon bomb

Pamela Belding

Nanxi Jin

Carlos Enrique Prado

Carlos Enrique Prado

Steve Belz

Sean Clute

Brian Harper

Randi Bachman

2016. Ceramic, embroidery, pallets, cement, mixed media. 4’x4’x5’

Carly Slade

Holly Curcio

A counter-cum-workbench, tools and utensils act as both still life and kitchen in this installation. The smell of freshly cut pineapple seduces a viewer to slice, dice and pick to engage.

When is the last time you considered a pineapple? When is the last time you purchased a pineapple? Was it pre-skinned and diced? Prickly pineapples are slow laborious to cultivate. Each must be picked by hand, it is a cumbersome fruit. A worker wears full body armour when harvesting due to the knife-like spikes protruding from the tops of the fruit. A once-coveted Florida crop in the early 1900’s, the Dole company squashed the Florida-based industry by establishing its present day sites in Hawaii. The tropical fruit was a delicacy and the symbol for hospitality. At the end of a social gathering the host would ceremoniously cut the top off of the fruit, a sign that the party had ended. Still today, you can simply plant the top of a pineapple and cultivate your own.

Abundance is key to this installation. The viewer is free to take, to participate.

Bridget Fairbank

Natalya Sevastyanova

Natalya Sevastyanova

Shauna Fahley

Olivia Stinson

showcase sculpture at solo exhibit

Katharine Eksuzian

Mitch Shiles

2016, Stoneware, Terra Sigillata, Iron Oxide Stain, Soda Wash, 24” x 18” x 8”

Abigale Brading

Mary Wilhelm

Behind these wall pieces are unfired slip, made from the same clay as the sculptures. As the exhibition went on, the slip slowly cracked. The beams symbolize the joy and hope these prairie inspired creatures giving me. The cracking brings a reality of trying to sustain this hope in an often harrowing world.

SK Reed

Miles Matis-Uzzo

G.V. Kelley

2013, Unfired clay, video projection, 4’’ x 66’’ x 102’’

Rachel Eng

Simcha Even-Chen

Craig Wood

2009. Porcelain, glaze. 24 x 22 x 40 inches. Slip-cast, kiln-fused, 1250°C oxidation, sandblasted; collection of the Racine Art Museum.

Elenor Wilson

dimensions approximately - 16”x7”x7”each, porcelain, 2013

Tsehai Johnson

Constance McBride

Riley Rist

Rebekah Sweda

Ian Mabry

Gina Pisto flowerpot sculpture

Gina Pisto

Joan Clare Brown

Joan Clare Brown

Danyang (Anna) Song

Danyang (Anna) Song

Rose Schreiber

Kendra Harvey

Jai Sallay-Carrington

Andrea Keys Connell

Nasrin Iravani

Hannah Pierce

Marce Nixon

Kyla Culbertson

Kyla Culbertson

Outdoor sculpture greeting visitors near the entrance of The Clay Studio of Philadelphia. The figure is carrying three vessels representative of the communities where the new clay studio building is located.

George Rodriguez

Margaret Meehan

Margaret Meehan

Cathy Lu

Jenchi Wu

Referencing Tree of Life modalities, this ceramic sculpture draws attention to the magnificence of the bat in sculptural form as well as poetically describing decay and loss. Bats in North American are currently in decline due to a fungus infection that thrives in warmer climates.

Christopher St. John

Brian Boldon Sculptre

Brian Boldon

Paolo Porelli

Christopher Williams

Christopher Williams

Tom K Doyle

Twiggy Cercy

Ryan Bredlau

David Morrison

Tyler Quintin

Eugene Ofori Agyei

Eugene Ofori Agyei

Christy Chor

Kirstin Willders

Brian Morgenlander

Brian Morgenlander

Elaine Buss

CRISTOBAL SABORIT MALLOL

Cristobal Saborit Mallol

Yve Holtzclaw

Kopal Seth

Taylor Craig

Corran Shrimpton Sculpture

Corran Shrimpton

Lauren Sandler

Mikey Walsh

Lanter Depth Perception

Stephanie Lanter

Anna Calluori Holcombe

Jonathan Christensen Caballero

Margaret Haydon

Amanda Salov

Jason Briggs

Angelica Tulimiero

Plankton Bloom at McMurdo Sound | Jenni Ward ceramic sculpture

Jenni Ward

Linda Luse

Stoneware, Underglaze, Glaze, 16" x 23" x 8", 2016

Carolyn Watkins

2015, Wood Fired Ceramic, 20 x 16 x 16

Denny Gerwin

This work has video projected on it. All videos can be found on my website: ricecakesart.com

Rice Evans

This is an installation view of my solo exhibition at the Still Life with Fruit Gallery in DeLand, FL. Photo credit: Matt Roberts

Cindy Leung

Rebecca Hutchinson

Sara Flower Vase Painting

Sara Morales-Morgan

Claire Thibodeau

Claire Thibodeau

cut extincting gallery wall

Ian F. Thomas

Maxwell Henderson

Maxwell Henderson

Azadeh Mehryar

Emma Wilson

Owen Laurion

Bobby Tso Sculpture

Kwok-pong "Bobby" Tso

wall hung sculpture

Elaine Parks

Karyn Gabriel

covered vessel with sculptural intent

Donna Namnoum

Biliana Popova

A four-page, full-color, broadsheet zine was created to go with this sculpture.

Jill Foote-Hutton

Adam Posnak

Luke Huling

Nicholas Sevigney

Nicholas Sevigney

Tony Kukich

Adam Chau

Mark Cowardin

limestone pedestal

Jocelyn Braxton Armstrong

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Forrest Sincoff Gard

Chris Salas

Adams Puryear

Brittany Sievers

Brittany Sievers

All the tiles were collected from a roof of an old house, which was condemned to demolition. Its smashed and shattered roof becomes rearranged and pieced back together to a symbolic bed – a site of rest, birth or death. Bed that incorporates the most intimate moments of life and presents a sort of tiny dwelling in the midst of a house.

Robert Bucek

Referencing traditional quilting squares, "(Im)mutability" upholds the beauty of textiles while shifting the typically soft forms to hard blocks that can be rearranged. The shift questions the permanence of comfort & belonging while showing that if one formation is lost, a new pattern can be created

Meredith Knight

Katie Bosley Sabin

Katie Bosley Sabin

Jill Oberman

Beans from the Somos Semilla Seed Library on cotton canvas with agave fiber rope & cotton thread

Emily C-D

2016, Stoneware with underglazes and glaze, multi-fired, wire and various threads, 24 x 15 x 17 ins.

Tiffany Schmierer

installation shot, Scripps Faculty Show, 2006, porcelaineous stoneware, cone 9, oxidation & reduction fired.

Stanton Hunter

Erin Greysen

Morocco, 29"l.x14"h.x8"d. Multi- fired ceramic with sequins. 2012

Jennifer Brazelton

Kelley Eggert

Hand dyed indigo fiber

Sara Torgison

Erin Paradis

‘Loop’ indicates no beginning or end, but places an emphasis on the path itself. Amid the dislocation and ambiguity of being neither here nor there, I anchor myself by tracing my past and taking inspiration from the early memory of my hometown (Guilin)’s landscape after a long departure.

Jing Huang

Roy Maayan, “No Added Preservatives”

Roy Maayan

Nicole Woodard

John Zimmerman

Travis Townsend

Ryan Takaba

Scuffed, sculpture, John Shea

John Shea

Sage Rucci

Maria Diletta Rondoni

Debbie Quick Installation

Debbie Quick

Benjamin Lambert

Mika Negishi laidlaw

Jessica Kreutter

This is a sculptural diagram of the bisection of the MT Granite Design Seed Bank. It exhibits the double walled, inner seed capsule that helps to regulate the seed's temperature (which should stay around 50-60 degrees Fahrenheit when buried below permafrost). The Seed Bank Project is a multi-era, multi-disciplinary project meant to span decades, cultures and (hopefully) climate phenomena here on planet earth. Hand-made, double-walled porcelain seed vessels are given out to collaborators, who then fill them with seeds that have precious ecological and culturalsignificance to the region in which they call home. The banks are completely autonomous from human maintenance, meaning theyare specifically designed to control the interior seed capsule’s humidity, light and temperature when buried below permafrostutilizing both ancient and modern technologies. The screw top cap is sealed with beeswax to ensure no moisture or light can reach the seeds. This sustains the seed’s ability to stay viable for as long as its’ DNA will allow.

Rachael Marne Jones

Salvador Jiménez-Flores

Krista Grecco

hand-built earthenware sculptures

Edith Garcia

Christina Erives

Ali Della Bitta

Ali Della Bitta

The tiles were created by pressing clay onto molds. I create my molds by using a CNC to carve them, or 3D print prototypes that I cast plaster molds around. My designs are created in Rhino by using a heightfield image, translating a photograph into virtual surfaces that I digitally sculpt into tile forms.

Sarah Heitmeyer

Memorial to my late grandfather and his time in the military.

AshleyJeneé Collins

Sana Musasama

inkjet print on watercolor paper, kaolin, porcelain aged in the forest for 1 month.

Marianne Chénard

small representational objects in a halo on a white wall

Pattie Chalmers

Honest to Goodness (installation view), 2014, mixed media, dimensions variable

Tim Berg & Rebekah Myers

Michael Dika

Little figure with a hat on a boat

Tenyoh

8” X 96” X 108”, slip cast ceramics, carpeting, DVD animation, 2010, photo: Ken Yanoviak

David East

300 objects utilizing a range of ceramic technique, arranged in a free form display made of porcelain recreations of found objects sourced from my surroundings. They were selected to represent influences from the places I've lived, people I've encountered, and items that possess a personal aura. I utilize mold making primarily for its ability to borrow from the world and arrange them within a modular configuration for the audience to freely associate relationships and connections through memory, oscillating between universal and specific.

Brant Weiland

Kimberly Canfield

Kimberly Canfield

Stoneware, 10" x 7" x 5", 2017

Natalia Arbelaez

Momoko Usami

John Eck

Nicole McLaughlin

Nicole McLaughlin

Eric Andre

Joel Pisowicz

Naomi Peterson

36''Hx18''Wx10.5''DP, Stoneware, Glaze, Oxide, Slip, Stain

Kensuke Yamada

Ashley Diane Saldana

Kate Rusek

Ariana Heinzman

Ariana Heinzman

Marina Kuchinski

Sam Shamard

William DePauw

Cynthia Gregory, “In the Company of Ordinary Time

Cynthia Gregory

Lalana Fedorschak

Installation view, including Untitled and Column from Garrison Art Center. 2012

Linda Casbon

Jessika Edgar

Christine Rabenold

Christine Rabenold

Installed in Columbus, IN.

Robert Pulley

Amythest Warrington

Amythest Warrington

Blanca Guerra Echeverria

Beverly Morrison

Beverly Morrison

Her Time Has Come by Diane Martin Lublinski

Diane Martin Lublinski

Donald Ryan

Sasha Koozel Reibstein

Jessica Wilson

This exhibition shot includes 3 installations:
'Kiss the Joy as it Flies': 400 geometric abstracted birds in flight across the brick wall (handbill and oxidation fired)
'The Skin We're In': 9 abstracted figurative sculptures (thrown and crater glazed, 3ft tall each)
'A Speck of Dust' : starry porcelain orbs installed as a 9’ buoyant shimmering circle.

Photo credit: Cathie Ferguson

Samantha Dickie

Judi Tavill

Elizabeth Peña-Alvarez

Elizabeth Peña-Alvarez

William McKinney

William McKinney

Jason Lee Starin, “Narcissist (Covert)”

Jason Starin

This series won an Honorable Mention award in Mino Japan in 2010. The work was made from flat cellulose sponges that have been sewn together to make soft, single use molds for porcelain slip.

Lynn Frydman Kuhn

Jonathan Fitz

Wood fired stoneware with slips and glazes, 30 x 76 x 6, 2018

Eric Knoche

This is an installation shot from my MFA thesis exhibition. The ceramic sculptures were paired with a video perfromance projected on the wall wich included a sonic component that fille the room every three minutes.

Lukas Easton

Jeff Nebeker

We are always coming from and going somewhere. Existence is a constant journey of creating memories among places.
Memory is like the tide. It comes in, it goes out, but it can also stay, approaching –accumulating.
I am sailing this sea of memory with mysurrounding nature.
Its smell, the texture… and the scenery-nature transcends wherever I may be in the world.
It becomes the medium that connects me to different places –this constructs me.
I am making work to celebrate and validate my memory in place.
It is a story about my ontology of how I am existing with my surroundings

Hayun Surl

James Webb

Rick Parsons, “Photometry (Lab Table)” (Installation View)

Rick Parsons

Ceramic and Rubber, 33x20x17, 2018

Hunter Stamps

Helen Otterson

2018, Ceramic, wood, wood filament, epoxy, rhinestones, 6”x5”x4”

Matt Mitros

Phoebe Scott, “Man with Frog”

Phoebe Scott

Catherine Schmid-maybach

https://vimeo.com/505330913. Hand-painted 16mm film depicting menstruation, violence, and vaginal discharge.

Cali M. Banks

2017, multiple glazed high fired ceramic, L200xW280xH280mm

Tessa Eastman

Emily Irvin

Cristina Mato, Holding On

Cristina Mato

David Packer

Özgü Gündeşlioğlu, “water” from earth series

Özgü Gündeşlioğlu

A. Blair Clemo

Sarban Chowdhury

Sarban Chowdhury

2016, Porcelain on Steel

Daisy Quezada Ureña

June Woest, “At Home in Here”

June Woest

Modeled after a desert hedgehog. Quills are composed of cast-away materials including tubing, rope, acrylic twine, zip ties, etc.

Anvil Williamson

Handmade Paperclay.
Photo: Saulius Saladunas
Collection: Panevezys Civic Art Gallery Panevezys, Lithuania
Background: https://www.grahamhay.com.au/hay2002lithsymp.html

Graham Hay

Magdolene Dykstra

Martin Harman, “Stars in the night”

Martin Harman

Materials include steel, powdered porcelain, fired porcelain, glass, and embroideries

Martha Underriner

The surface of the form consists of pigmented silicone and medical sutures.

Kelly Devitt

Audrey An

Site Specific, 2013, Recycled red clay, volcanic rock, performer in white, pine charred by recent forest fires, red cord, black adobe, and coal

Kristin Schimik

Unintended Consequences, 2013-2014, wall piece, porcelain, wood, foam, thread, 88” x 81” x 15”

Susan Beiner

Abstract sculptural object with a large red ring dangling from a horn.

Drew Ippoliti

Additional material:wood

Dina Perlasca

Don Bendel, "Black Hole"

Don Bendel

Painted & constructed Fired Clay

Patricia Volk

Thesis work installed in Focus Gallery at the University of Florida. All other images are of the same installation.

Sonia Vera-Leon

3.25 x 3.5 x 3.5, stoneware, porcelain slip, ash glaze, cone 10 reduction

David Stevens

48” height, Ceramic, 2018

Antra Sinha

Mat Karas

Ceramics and Walnut

Ellen Kleckner

Dylan Beck

porcelain, neon, plexi: thread red neon text, loose porcelain 'curtain' of pills, flowers, and masks, flowing into pyramid of porcelain dipped skulls and thistles
Tlamanalisti is the Nahuatl (Uto-Aztecan) word for the ritual of sacrifice. This piece refers to the frequent messaging that vulnerable groups should ‘be sacrificed’ during the pandemic in exchanged for a return to normalcy.

Amanda Barr

Grace Tessein

Yoonjee Kwak

Christine Orr

Squirrel Tales represents my manifestation during the pandemic and Loosing a sense of communication.

Gloriann Langva

Bri Murphy

Lauren Mayer Sculpture

Lauren Mayer

Porcelain with feldspar and molochite inclusions

Gillian Parke

Casey Whittier

Edurne Otaduy

Nate Ditzler

RJ Sturgess

Chanakarn Semachai

Chanakarn Semachai

Isabelle Coppinger

Isabelle Coppinger

14” H x 10” W x 8” D, 2007, white earthenware, slipcast, vintage container, marble base

Wendy Walgate

2017, 49" x 109" x 3", Handbuilt porcelain flowers & real carnations, Photo credit: Eric Mueller

Juliane Shibata

The parts of the candelabra that hold the candles are wheelthrown, then attached to a larger handbuilt form. The majority of this piece is unglazed with terra sigilata, the remaining parts are glazed mauve. There is a black inlayed line surrounding the glazed portion. Cone 1.

Taylor Mezo

Kushala Vora

Dennis Ritter

Everlasting is a limited edition of porcelain wedding cars produced during my residence at the Gimhae Clayarch Museum in Korea. @clayarchmuseum
The model, a 67 Ford Mustang, was produced to satisfy the desire of the consumer, not the necessity. So, even though this wide offer of romantic artefacts does not control the entire spectrum of intimate relationships, directly or indirectly, have throughly permeated our imagination: It is important to spend money to be loveable.

Noemi Iglesias Barrios

Mya Cluff

Cone 04 In-glaze luster with bismuth and silver

Stephanie Hanes

Porcelain. plaster

Wen-Hsi Harman

24 X 18 X 13, stains, oxides, cone 5 , raw clay post firing

Michelle Collier

stack of porcelain bones

Ianna Frisby

brooke cashion ceramics

Brooke Cashion

Hand pressed concrete reinforced with PVA fibers, pigment

Deane McGahan

Megan Angolia

Full materials list: Earthenware, wood from dining room chairs, wax, trim from dining room, carpet, plastic basket, plastic necklace, cast glass

Kourtney Stone

Sandy Frank

Craig Hartenberger

Craig Hartenberger

This piece consists of multiple short performances and involves the pouring of tea on unfired clay cookies as a way to explore cultural and familial loss.

Habiba El-Sayed

Handmade porcelain beads strung on to wire, over an armature, to create the form.

Brooke Armstrong

2017, porcelain, stoneware, underglaze, wool felt, wood, H12x w5x d10”

Mie Kongo

Exhibited at NC Pottery Center Gala in 2019

Hitomi Shibata

Material: Ceramic, felt, wax and wood
Making Process: Tape-casted, laser cutter used to engrave words. Felt backed and cushioned tape-casted document. Wax coated wood.

Kate Strachan

Growing up in northern Utah I had the mountains as my playground. I have since been fascinated by nature's repetitive way of creating natural features such as canyons and even sand. It takes billions of years for these formations to be created and are continually being carved out today. When looking at these and many more formations, I can't help but see time the way nature has given it form.

These have all been individually hand-made over the years since 2016. Along with the help of others, I have over 375,000 tiny cubes.

Danielle Weigandt

Stephanie Seguin

Stephanie Seguin

Elena Gileva

Materials: Hand built Earthenware, Porcelain, Stoneware, Woven Electrical Wire, Knit and Crocheted Fishing Line, Handmade paper pulped from Upcycled Old Clothes (Denim, Cotton, Linen) and Plants (Flax, Dahlia), Antique Hooks, Rust Dye

Danielle O'Malley

Hand painted cobalt underglaze (Qing Hua), terra sigillata

Sin-ying Ho

27cm H x 37cm L x 18cm W

Ian Garrett

Jake Allee

Nancy Fleischman

Nancy Fleischman

Cycles speaks of the process of learning and spiritual evolution, in a context that goes beyond human life. Also of the teaching that comes from mistakes and pain.

Javier Gonzalez

María Alarcón Aldrete Wolf

María Alarcón Aldrete Wolf

Josh Van Stippen

Josh Van Stippen

Jenny Hata Blumenfield

Jenny Hata Blumenfield

Somchai Charoen

Somchai Charoen

Sharon Norwood

Weronika Lucińska

Weronika Lucińska

Covid Warrior, wear a mask

Guillermo Guardia

Chiho Tokita

Marissa Y Alexander

Marissa Y Alexander

Aaron Caldwell

Maya Vivas

Janny Baek

Arun Sharma

Jinsik Yoo

- Ceramic work from a research; Lace Ceramic Design from Thai Woman’s Apparel in the Reign of King Rama V- Rama VII- Lace texture from lace fabric

Sukumarl Sarakasetrin

Tara Thacker

Heather Cruce

Slab pressed into a mold, white, white & yellow clay, volcanic & crackle glazes, decorated with gold luster.

Ofra Kutz

Clarissa Pezone

Clarissa Pezone

Brian Kakas

English Paper Porcelain, Mother of Pearl

Joon Hee Kim

Brian Vu

$Silent Scream is a durational and immersive ceramics and video installation. The impending shatter of clay bodies frozen in ice, presents a sense of contingency and precariousness in viewers, the anticipation of fracture. As the ice melts the body of the bottle slowly reveals itself, and as if gazing into the disappearing haze of a clouded mirror you begin to see yourself: an empty vessel, headless, perhaps heedless, with gaping mouth frozen into a silent scream. Here the systemic failures, fragilities and unpredictability of living in this historical moment is felt bone-deep before the truth of it is fully, mindfully apprehended.$

Katayoun Amjadi

Clare Flatley

Malene Barnett

Andrew Castaneda

Andrew Castaneda

Vic Hsieh

JeeEun Lee

Kelsey Bowen

Asylums often allowed patients to keep caged canaries. What they did with them was their business. Birds were press-molded then stretched and purposely misshaped. Straight-jackets & skirts made from slip-dipped workman blue, disposable paper towels - it was the man who often made the admittance call to the asylum.

Kimberly Chapman

Rui Sha

Anthony Kascak

Ceramic, layered porcelain slip, colored porcelain, felted wool, foam

Katherine Cox

David Hollander

David Hollander

Anna Valenti

“Up Above My Head, I Hear Music In The Air” (Portrait of Sister Rosetta Tharpe)

Tony Natsoulas

Jasmine Peck

Toni Losey

Natalia Drobot

Porcelain, terra cotta, Osnaburg, linen, coffee stained muslin, Dutch-wax prints, digitally printed organza, ruff, indigo, gilding, pearls

Joann Quiñones

natural pigment

Sandra Ban

Madan Singh

Donté Hayes

- porcelain sculptures, multi-fired, underglazed, painted and glazed, on wooden bases and structures - pyrography on wood, painted, varnished- 2016 solo exhibition series Match at public gallery Art-image in Gatineau- awarded the Prix du CALQ – Œuvre de l’année en Outaouais – Work of the Year in the Outaouais 2017, and recently exhibited in the solo public exhibition Source et ressource at the Centre D’Art Rotary in La Sarre, Quebec from Nov 2019 to Feb 2020- a visual exploration of the manifestation of the boxing sport as transformative of the human figure- the artist allowed the town of Buckingham’s emotional investment in their boxing hero Gaétan Hart to become the central theme

Lisa Creskey

Display as 2 separate sections

Rene Murray

Renata Cassiano Alvarez

Renata Cassiano Alvarez

PJ Hargraves

Delia Maxim

Coleton Lunt

Mark Tarabula

Molly Allen

Rebekah Bogard

Marieke Pauwels, “Prima Materia”

Marieke Pauwels

Collaborative show with the artist Chris Miller, where we individually made the works and installed them in the alternative ceramic gallery, A+B Projects in Los Angeles. The only collaborative piece we made for the show is the hanging work, titled Seashell Crazytown

Brittany Mojo

Multiple firings, slip, underglaze, cast paper

Rebecca Harvey

Recycled materials (aluminum coffee capsules and wine bottle seals), copper staples, copper wire

Sandra Lapage

Slip-Dipped rags, Custom decals based in personal border wall photos

Horacio Rodriguez

Christina Massey

Shae Bishop

Iren Tete

Kristen Cliffel, “Homemaker”

Kristen Cliffel

Katie Stone, "Queendom"

Katie Stone

Kodi Thompson, “Personal Alphabet”

Kodi Thompson

Skylor Swann

Kristina Rutar, “On the Origin of Species"

Kristina Rutar

Zach Valent, “Stratum”

Zach Valent

Sophie Giet, “The jealous guy"

Sophie Giet

Aimée Papazian, “Sunny Side Up”

Aimée Papazian

Heidi McKenzie, "Moving Forward”

Heidi McKenzie

Casey Parkinson, “Transcendence”

Casey Parkinson

April Felipe, "In the Flood We Hope Not to Drown"

April Felipe

Eric J. Garcia, “Freedom Flush”

Eric J. Garcia

Alice Walton, “Mori Pali”

Alice Walton

Wade Tullier, “Skull with candle”

Wade Tullier

Eugenia Bracony, “Umbrales”

Eugenia Bracony

Daumante Stirbyte, “Mister Jiggles”

Daumante Stirbyte

Laura Pehkonen, “KOMBO”

Laura Pehkonen

Michael Rice, "Saggar fired thrown vessel and ‘Coriolis’ form"

Michael Rice

Jennifer Halli, “Float | Pōrena”

Jennifer Halli

Nathan Murray, “Cognitive Dissonance”

Nathan Murray

Seong Weon Lee, “Love Letter to Home”

Seong Weon Lee

Helena Tuudelepp, "The Wall"

Helena Tuudelepp

Porcelain, 2018

Phoenix Savage

Nicolas Touron, “Artificial Terrain 30”

Nicolas Touron

Maria Joanna Juchnowska, “Black and Yellow”

Maria Joanna Juchnowska

Karima Duchamp, “apparition - #1”

Karima Duchamp

chamotte clay,1100C, slips glasses, decals, 148x50x45cm, 2003

Bojidar Bonchev

Ariel Bowman, “Les Chaises Musicales”

Ariel Bowman

Vidya Vijayasekharan, “Horae”

Vidya Vijayasekharan

Jonah Fleeger, “Tattooed Torah”

Jonah Fleeger

Rekha Goyal, “Flight of the bird”

Rekha Goyal

64 x 48 x 20”, woodfired stoneware with natural ash glaze, oak hip rafter

Scott Ross

Stoneware, porcelain, and glaze, 9” X 22” X 21”, 2018

Nicholas Wedell

160 x 100 x 70 cm ( 63’’ x 39’’ x 27’’) grog clay, hand build, gas fired, 2016 (photo: G. Stadnik)

Michał Puszczyński

2018, Porcelain, mounted to painted wood panel, 336h x 36w x 3d

Mindy Horn

Ceramic, 17” x 8” x 9”, 2019

Rebecca Murtaugh

2017, Pigmented Concrete, Unfired Clay, 12x6x12

Alex Youkanna

ANAGAMA FIRED STONEWARE, SHIGARAKI 10” DIA, 2011

Adil Writer

Savia Mahajan, “Liminal Occurrence”

Savia Mahajan

Clay, Latex Paint, Graphite Core, Wood, Wall Drawing: 8x16’, Sculpture: 27x27x38”, 2017

Sydney Ewerth

18 x 12 x 4 inches each, Stoneware, 2000

Shampa Shah

Terracotta, 140cm x 250 cm, 140 cm x140 cm x 55 cm

Shalini Dam

2018, Photo © Shine Bholla

Élodie Alexandre

Black and White porcelain

Alberto Bustos

Porcelain, 2017

Reyaz Badaruddin

5’ x 8’ x 30”, Stoneware, 2010

Sharbani Das Gupta

2012, porcelain, copper wire, installation, handbuilding – crafting, variable dimension

Nia Gautama

Cantacuzino Castle, Bușteni, Romania, 2018, wood- and electric-fired red earthenware, 960C, 1500 x 400 x 100 cm / 590 x 157 x 40 inches

Vlad Basarab

60” X 12” X 84”, Woodfired terracotta with slips, 2018

Aarti Vir

2018, 20 x 14 x 15 in, Glazed Hand built porcelain, casted and found object, cone 6, Gold luster

Soe Yu Nwe

150 x 45 x 45 cm, Ceramic and brass, 2016

Safa Hosseini

pinch/slab-formed glazed stoneware – c1 ox – 14 x 11 x 7 - 2013

Paul Briggs

2017. Stoneware and plastic. 19” diameter x 9.5” height.

Maxwell Mustardo

3/18, 6’ x 3’ x 9”, Ceramic, Crocheted Yarn, Latex Paint, Steel, Faux Fur

Kelsie Rudolph

2010. Ceramic (earthenware, slip, terrasigillata, glaze), cast cement, hardware, metal, oil on wood panel. Sculpture : 71 x 71 x 152 cm. Painting: 213 cm en diameter.

Veronika Horlik

2018, Plastic and Foam Assemblage Wall Relief, 24" x 36"

Bryan Northup

handbuilt, chamotte, h – 170 cm, 1992

Irina Moigis

2014, 1.50mx1.50m, glazed stoneware tea bowls, 1260C

George Vavatsis

Ceramics, Metal, Concrete, and Thread, 36” x 36” x 10”, 2018

Matthew Eames

38'' x58''x 4’’, Slip cast Porcelain, 2018

Vinod Daroz

Taylor Kibby, “Folds” (detail)

Taylor Kibby

Yang Chen, “Anywhere, somewhere, now-where”

Yang Chen

Gina Adams, “Ancestor Medallion”

Gina Adams

Juan Ortí García, “Untitled”

Juan Ortí García

Keith Simpson, “Western Art IV”

Keith Simpson

Behzad Azhdari, “The games of the kings”

Bezhad Azhdari

Jackie Head, “Field of Flowers”

Jackie Head

Jerilyn Virden, “Recoil Series (black and white)”

Jerilyn Virden

Ginny Sims, “A Room from Six Towns” (northwest view)

Ginny Sims

Kelly Justice, “Joyscale”

Kelly Justice

Hae Won Sohn, “Square Dreams”

Hae Won Sohn

Kristine Nuke-Pantelejeva, “Space Odyssey 1“

Kristine Nuke-Pantelejeva

Shweta Mansingka, “Fruit, the womb of creation”

Shweta Mansingka

Hillel O'Leary, “Terra Incognita”

Hillel O'Leary

Yewen Dong, “Much Ado About Nothing. 1”

Yewen Dong

Stoneware, glaze, slips, oxides, Cone 6 Reduction, double wall, hand-built, 34h x 15w x 16d inches

Andrea Moon

Liisa Nelson, “Part Bird Already”

Liisa Nelson

Kiana Honarmand, “On Edge”

Kiana Honarmand

Chris Drobnock, “untitled (introspective.)”

Chris Drobnock

Porcelain clay, 12 inch dia, 2014

Rahul Kumar

5.5” x 6” x 4.5”, Ceramic & Epoxy, 2018

Alex Zablocki

2017, porcelain

Edina Andrási

2017- 2018, Latvia İnternational Ceramics Biennale, Memory Box, Daugavpils, Mark Rothko Art Centre, December 1, 2017- January 21, 2018, Latvia

Fídan Tonza

Sally Walk, “A little slice of colourful heaven” (detail)

Sally Walk

8’ x 40’ x 3’, Ceramic, glaze, acrylic, ink, 2015

Judd Schiffman

2018. Stoneware, Underglaze, Luster, Flocking. 15"x9"x9"

Sara Catapano

Roberto Cambi, “The Oracle at the Chapel of St Barnabas in Soho, London”

Roberto Cambi

Porcelain, oxides, 440 cm x 46 cm x 14 cm.

Marie-Josée Comello

porcelain, wood, metal, & ceramic materials, 2017, 40” x 26” x 2.5”

Sara Henry

Porcelain, gold luster, hand modeling and slip cast, 70 cm x 80 cm x 7 cm, 2014

Marcelo Fernandez Mainardi

Stoneware, glaze, acrylic, 3.5” x 3.5” x 5”

Max Seinfeld

Khaled Sirag, “The Balance” (series)

Khaled Sirag

2017, 18 x 45 inches, Earthenware, Clay slip and Gold dust

Madhvi Subrahmanian

overall 34x16x12, ceramic, paint, found objects 2017

Michaela Valli Groeblacher

porcelain, petrified wood, 12 in x 7 in x 23.25 in, 2017

Nina Kawar

Vineet Kacker, “Time-Timeless Tableaux I”

Vineet Kacker

Tetsuya Tanaka, “KAGAYAKI- Vessel of light”

Tetsuya Tanaka

Marisa Finos, “Vessel IV”

Marisa Finos

2017/4, 206*392*126cm, (Photo Credit -Korea Ceramic Foundation)

Ting-Ju Shao

2015, approx size each object: 7 x 15 x 8 cm,. Stoneware

Heidi Bjørgan

2016. Terracotta and Black Glaze. Hand built. H. 22x w45x d18cm.

Michael Moore

Nathan Mullis

Installation view at Interface Gallery, Oakland, CA

Jon P. Geiger

Hasan Numan SUÇAĞLAR, ‘’Palaiόpolis’’

Hasan Numan Suçağlar

Louise Deroualle, “Untitled”

Louise Deroualle

2017. Paper porcelain, stoneware and slip. 18”H x 13” x 13”

Cydney Ross

Porcelain, hardware, springs, birch plywood, 144 in x 96 in x 12 in // 366 x 244 x 30cm, 2012

Amélie Proulx

64 x 9 x 34 cm, slip-casting, porcelain, paraffin wax, 2017

Huey Min Teo

Hand built stoneware and porcelain clay, underglazes, wire, printing blocks

Suzanne Sidebottom

Porcelain, Steel Wire, and Welded Steel. Dimensions Vary. 2008

Jeanine Hill

35 x 26 x 19 cm/ each, stoneware, slip, glaze, wire, print, application, 2015

Helene Kirchmair

glaze and underglaze pigment on clay, 91x21cm, 2016

Saint Ngeli Mbembo

Ravit Lazer, "Ruins"

Ravit Lazer

30x8x4cm X2 pieces, 2014

Liu Xi

7.5"h x 8"w x 5"d, 2017, hand knit cotton, dipped in porcelain slip, fired cone 6 oxidation, unglazed.

Lisa Belsky

3D printed Spout, Metal spring and base, rubber band, Shard of an archeological handle, 14 x 8 cm. 2013

Oren Arbel

35 cm across 30 cm length, 2006, Photographer Ron Zijlstra.

Anita Manshanden

Kris Marubayashi, “caldera 2.0”

Kris Marubayashi

15” x 48” x 7.5”, White Earthenware

Ibrahim Said

ceramics, 50x43x100 cm, 2004

Adam Abel

20” h x 20” w x 12” d, Ceramic, underglazes, paint, metal leaf, 2017

David Robinson

7x3x7 inch (lxdxh), 2017

Lin Xu

81X41 Cm, Porcelain tile, Ceramic painting, 2016

Stanis Mbwanga

porcelain, stoneware, earthenware, steel, 36” X 18” X 18”, 2016

Elaine Quave

2016. Each 5”x 7”x 3”. Stoneware, Glaze.

Keira Norton

2018, Porcelain, slip, underglaze, luster

Emily Nickel

24x19cm; 2008; Porcelain, gold O/E

Lia Bagrationi

Dan Elborne, “Five Hundred”

Dan Elborne

Clay, Lustre and Resin. 980X500mm

Virginia Leonard

Yuko Nishikawa, "Time Vessels”

Yuko Nishikawa

Yehrim Lee, “Cross-Continental (con) Fusing The Space Between”

YehRim Lee

Antonella Cimatti, “Ghost Still life # 5”

Antonella Cimatti

Simon Reece, “washed up”

Simon Reece

2014, ceramic, underglaze, 65” x 38” x 23”

Kelley Donahue

60’-8” x 32’-5”, Earthenware, Stoneware, Majolica, Hydrocal, Cold Finishes, Silk Organza, 2017

Gabrielle Grace Graber

Porcelain. Overglaze painting. Gold. 29х18х12.5 сm

Galina Dulkina

objects, chamotte mass, glaze

Maciej Kasperski

H 30cm and 26 cm, white clay, raku firing, glazes, 1999

Rūta Šipalytė

porcelain, stoneware, wood and china paint, 24” x 20” x 20”, 2015

Jason Walker

200 x 50 x 25cm, ceramic, wood, metal

Rojhane Hosseini

Rory MacDonald, “Flow blue”

Rory MacDonald

35”h x 20”diameter inches. 89 h x 50 diameter cm. Pedestal, and scepter (not visible,) are removable. 2012

Kukuli Velarde

100 X 50 X 55cm, Chamotte clay, high-firing glaze, decal, Handbuild, 2013

Janina Myronowa

240x65cm, paperclay, paperporcelain

Annika Teder

Ngozi-Omeje Ezema, “Think Tea, Think Cup II”

Ngozi-Omeje Ezema

Red Pottery Clay, Hand Shaping & Pressing Mold, Ceramic on Wood, 1000ºC, 30x85x8 cm, 2013

Pinar Baklan Önal

2016, digital print on archival paper

Neha Kudchadkar

H28 W 28, red clay, 950-1000 C, gray pigment, drawing, 2016

Anna Syarova

1993, Porcelain, Gas reduction firing at Cone 14, Overglaze painting

Ilona Romule

(2011, Kristoff stories), photo by Grzegorz Stadnik

Monika Patuszynska

Vitreous china, glaze, decals, marbles, glass beads, 192” L x 96”W x 18”H, 2014

Lee Renninger

2013, porcelain, 8' x 15' x 2.5"

Dawn Holder

2015, glazed earthenware and house paint, 4’ x 4’ x 1’

Jenna Wright

Clay, Glaze, 2017, 15” X 12” X 21”

Ashley Bevington

2013, 60 x 27 x 80

Dori Schechtel Zanger

Wesley Harvey, “Adam & Adam vessel”

Wesley Harvey

Found Drawer, House Paint, Red Thread, Wheel-thrown and Slab-built Porcelain, Gas-fired, Red Thread, 6” x 14” x 4”

Shiloh Gastello

Jennifer Datchuk, “Half”

Jennifer Ling Datchuk

stoneware, Saggarfiring. Ramatgan museum 2011

Shamai Gibsh

Ceramic, acrylic, 70cm x 38cm x 23cm, 2017

Christopher David White

Stoneware, paint, glass, dirt, turf, metal, 40” x 39” x 39”, 2013, Free standing

Wesley Wright

Sean Erwin, “2 Degrees”

Sean Erwin

White oak, stoneware inlay

Johnathan Hopp

steel, personal clay. 1170C, 58 x 25 x 12cm

Rafa Perez

Earthenware, bisque at 1000c, pit firing with ferro choloride, 250cm &250cm &250cm, 2004

Ossama Emam

slip cast of local Israeli clay and Limoges porcelain

Shlomit Bauman

2015-2016, porcelain (8x14x12cm)

Dainis Pundurs

Ceramic and Neon Light Tube, 2016

Eleanor Heimbaugh

SLIPCASTED PORCELAIN PAINTED, YEAR 2017, DIMENSION 34x21CM, H= 22CM

Velimir Vukićević

Ceramic, wood, thread, plaster of paris, blanket and thread, 145cm x 71.5cm 94.5cm, 2014

Modisa (Tim) Motsomi

Dimensions: 65cm H X 65cm W, Material: Porcelain

Isobel Egan

25x175x132 cm., stoneware, glaze, 2010

Egidijus Radvenskas

diameter 10 cm, electric fired 1120°C, local fire clays, stains, crawl glaze

Oleksandr Miroshnychenko

Stoneware, Underglaze, Glaze, 14”hx15”wx7”d 2016

Nicolas Darcourt

Ceramic and glaze, Dimension: Each colour (1m x 12 cm), 2015

Giorgio di Palma

porcelain, enameled steel, 12”x15”x12”, 2005

Yael Novak

Clay, pigments, oxides, glazes, decal, gold luster. Slip cast, handbuilt. 39 x 30 x 5.5 cm. 2016

Efrat Eyal

W65 x H 205cm, W 63cm H 100cm , 1100°

Mehmet Tuzum Kizilcan

Variable size, Ceramics, Glaze and Bronze Leaf, 2017

Linda Lighton

Earthenware, 30”H x 8”W x 7”D, 2016

Keith Schneider

Thrown and altered stoneware, slip and glaze, 2015

Malcolm Mobutu Smith

Priya Thoresen, “Material Presence”

Priya Thoresen

cone 10 reduction hand-built porcelain, digital projection. 2016. Sculpture: 30”H x 33”W x 20” D. Projection 4’H x 9’ W.

Deighton Abrams

91 x 24 cm, wood-fired stoneware

Daniel Cavey

White Stoneware, Glazed & Acrylic Stain, 20 x 18 ¾ x 8 in, 2016

Morel Doucet

Sara Parent-Ramos, “However/Because #1”

Sara Parent-Ramos

Clay, glaze, underglaze, flowers. 7.5 in x 3 in x 7.5 in each. Installation view.

Nicole Gugliotti

2017, ceramics, hair, wall paint, 8D X 24W X 24L

Ling Chun

installation view, 2015, Slip Cast Ceramic, Stain, Wax, Paint, Dimensions Variable

Christopher Kanyusik

installation at “Women To Watch-Ohio”

Eva Kwong

Multiple firings cone 04-10, porcelain, stoneware, slip, mason stain, and glaze

Lauren Skelly Bailey

22x27x18, terra cotta, underglaze, wax encaustic, steel, cement, 2016

Ben Jordan

Size: W65 x D65 x H160cm

Aya Murata

Stoneware, string, 7.75’’x14.5’’x 8.25’’, 2012

Renqian Yang

Porcelain Paper Clay, 2016, 7.5 × 4.5 × 7.25 inch

Shiyuan Xu

2019, earthenware, stoneware, glaze, candles, oil paint on panel, 15’ x 6.8’ x 8’ overall installation

Stephanie Kantor

Sara Allen Prigodich, “For Now”

Sara Allen Prigodich

2012. 26x16x15. Clay and mixed media.

Ashley Maxwell

Mitchell Spain, “Shooting Gallery”

Mitchell Spain

80”x25”x15”, Clay, Wood, Glass, 2015

Armando Ramos

Digital Photo, Slip and hand-built porcelain

Russ Orlando

13”x14”x14”, aluminum, ceramic shell, wire

Trevor King

Stoneware, underglaze, glaze, 18 x 8 x 8 in

Evan D'Orazio

2011, 28 x 14 x 18”

Janis Mars Wunderlich

B-mix Porcelain, underglaze, cone 6, 11.5 x 11 x 11.25 inches, 2015

Danielle Wood

Stoneware and porcelain fired mid-range without glaze, dimensions variable

Christina Warzecha

Earthenware, found objects, textile, underglaze, 44x46x26”, 2018

Richard W. James

Charity White, “Main St. and University Ave.”

Charity White

Nick Vest, “To Sigh, Again and Again”

Nick Vest

2015, 30” x 30” x 1/3”, earthenware, glaze

Mel Griffin

H12’’ x W11’’ x D13’’, porcelain, cone 6 glazes, underglaze, luster, 2015

Taylor Robenalt

Wheel thrown and hand built mid-range stoneware, terra sigillata, glaze, fired to Cone 6 oxidation, glass found object, copper tubing. 17” x 13” x 8". 2013

Todd Volz

12.25” x 15” x 6.5”, Hand built porcelain, 2017

Crystal Morey

2019, Ceramics, Resin, 15L X 20W X 50H in

Joshua R. Clark

Ceramic, mixed media, 22"x12"x11", 2016

Virginia Eckinger

Ceramic, 2002, H.: 33.2 cm; w.: 18.0 cm; d.: 19.8 cm

Léopold L. Foulem

Stoneware, decal, 15”h x 4”w x 2”d

Adam Paulek

40x20x13 inches, Glazed porcelain, taxidermy fawn, cast plastic, mixed media

John Byrd

2018, Stoneware, Anthracite Coal, Charcoal, Performer

Bailey Arend

Unfired Porcelain, Wood, String, Fiber, 6 ft. x 3 ft. x 2 in., 2015

Kate Roberts

installation view, 32” x 130” x 6”, 2014

Nikki-Renee Anderson

Slip-Cast and Wheel-Thrown Porcelain, Underglaze and Glaze, 15”x 12.5”x 2.5”, 2015

Sarah Tancred

12" x 9"x 21", white earthenware, terrasigillata, underglaze, 2015

Gunyoung Kim

Ceramic and epoxy paint. 96’’ x 96’’ x 14’’. 2015

Natasha Hovey

2015, Gold-plated electroformed copper, brass, earthenware, 20x16”

Lauren Kalman

Earthenware, fiber, steel, ribbon, and micro-crystalline glaze, 28” x 27” x 8”, 2015

Rachel Ballard Bigley

Stoneware, Steel, Plastic Toys, Artificial Grass, 54”x18”x16”, 2013

Adriel Tong

ceramic/wood, 45” x18”x18,” 2016

Tom Bartel

Size: H 10.5’ - W 13.5’ - D 15.5’, Technique: Hand-Building, Materials: Corzo Clay, Date:2012

Rafael Corzo

Ceramic, underglaze, glaze, encaustic, 21” H x 16” W x 12” D, 2017

Michelle Laxalt

glazed earthenware, 9x3x3 in. 2015

Wesley Anderegg

41”x16”x17”, Stoneware with slips

Michelle Gregor

Cobalt pigment on porcelain and gold lustre, left 27 x 17 x 8; middle 16 x 14 x 5; right 46 x 18 x 12

Vipoo Srivilasa

White Earthenware, Decals, Luster, H19.5" x L15.5" x W10.5", 2015

Rob Kolhouse

2015, Cone six porcelain, underglaze image transfer, glaze, and leather carrying case. 15” x 10” x 9”

Jeni Hansen Gard

2015, 11.5 x 5 x 10.5, Porcelain and Mixed Media

Jimmy Stambrandt

2014, Clay, acrylic. Steel base. Dimensions: 33 x 17 x 13 in

Alessandro Gallo

FLO(we){u}R re-performs a World War One terra cotta test bomb factory. The dummies were used to train pilots in aerial bombing by filling these vessels with baking flour and dropping them from planes to see a white spot on the landscape.

Amber Ginsburg

Double walled bowls, altered with black satin and reticulating glazes. Cone 10.

Alisa Holen

60" x 32" x 10", unfired porcelain, fabric, stuffing, thread, glue, fired clay

Bethany Rusen

Wood-fired stoneware, reduce cooled, 25”x25”x6”

Mat Rude

Tim Rowan

wood panels, paint, porcelain chairs, decals, 10”x 25” 2017

Hope Rovelto

epoxy clay, polystyrene, 34”h x 22”w x 19”d, 2014

Allan Rosenbaum

2014, earthenware, acrylic. 20”x14”x13”

Kevin Rohde

porcelain/fused cement, 2006

Keith Renner

2013, 10” x 12” x 8”, Terra Cotta, Glazes, Tool Dip, and Cold Glazes. Hand Built with press mold additions. Fired to cone 6.

Derek Decker

(2016) Life size, Ceramic, paint, yarn

Zhanna Martin

wood-fired, 4x5x5 in

David Smith

Stoneware, paint, mixed media, powder coated steel, 34” x 13” x 7”, 2018

Jamie Bates Slone

ceramic, wood, Patagonia down fabric, wax, fabric, 20"x20"x20", 2013

Jeffrey Sincich

Nichrome, ceramic, oxides, glaze, steel, filament, Photo: David Hunter Hale

Adam Shiverdecker

Oxidation fired porcelain, glaze, steel. Ceramic chain - individual links.10’

Natalie Shelly

vinyl, foam, enamel, stainless steel, steel

Ian Shelly

collaboration with Charlie Schneider, unfired stoneware, wood, resin, water, 2011

Nicole Seisler

porcelain, net, 6”h x 24”w x 20”d

Susan Schultz

Cone 6 Porcelain, Earthenware, Altered found objects, Glaze, Decals, China Paint, China

Kelly Schnorr

cast porcelain, decals, 3D-printed connectors, threaded steel rod, 38 x 27 x 24”, 2017

Thomas Schmidt

26”x20”x8”, stoneware, glaze, decal, 2013

Steve Schaeffer

Handbuilt/Slip-cast Altered/3D Ceramic Printed Cone 04-6

Shoji Satake

2014, B.bs, resin, found materials, Largest is 6” in height

Amy Santoferraro

Scott Rench

Ceramic, powder coated aluminum, wood, vinyl, plaster, pigment

Paul Sacaridiz

white earthenware/mixed media, 10" x 6" x 6", 2011

Derek Reeverts

2013, porcelain, wire, paint, electrical hardware, 20'W x 14'H x 26'D

Jeanne Quinn

2013, Terracotta clay, maiolica, gold luster, 24”H x 15”W x 7.5”D

Liz Quackenbush

Installation, Ceramic. 2012

Waleed R. Qaisi

2010, 7.5 x 8 x 7 in., white earthenware, glaze, glitter, plexiglass, mixed media

Nathan Prouty

latex paint, polyethylene, 11 ft x 7 ft, 2012

Joanna Powell

Translucent porcelain, 7 1/2” across, 2008

Tara Polansky

earthenware, mixed media, 57 x 23 x 24,” 2013

Joseph Pintz

Stoneware, steel, underglaze, 2012

Jarred Pfeiffer

Solo Exhibition at Greenwich House Pottery, 2019, Image © Alan Wiener, courtesy Greenwich House Pottery

Lindsay Pichaske

21" x 14" x 10", leather, porcelain, mixed media, 2006

Adelaide Paul

Vince Palacios, “Potato Tree with Vines”

Vince Palacios

2015, Stoneware, Under glaze, Glaze, Resin, Milkpint, 51”x42”x44”

Kyungmin Park

porcelain, vinyl, mixed media, 2014

Joe Page

2014, Clay, lead glaze, cement, correspondences (ash and fragments)

Anthony Stellaccio

2014. Slip cast porcelain using modular mold system, 30” x 6” x 9″ (variable)

Kala Stein

Ceramic. 76” x 30” x 64” in height. 2018.

Mark Nathan Stafford

Ceramic, Lacquer, Enamel, Polymer, Steel, Automotive Paint, 12”x18”x18”, 2018

John Souter

ceramics & mixed media installation at Washington State University, Pullman, WA, January, 2008

Linda Sormin

76.5”x 84”x 35”, ceramic, metal, wood, foam and epoxy, 2012

Brian Somerville

2014, Glazed and painted earthenware, glazed porcelain, photomontages on fabric, metal, wood, 121” h x 144” w x 240” d. Photo credit – Allen Cheuvront. (On exhibition at the Samuel P. Harn Museum of Art)

Nan Smith

2014, ceramic, underglaze transfers, 35x47x5

Shannon Sullivan

Robin Strangfeld, “things come together when people do things”

Robin Strangfeld

2011, 6’x12’x14’h, bentonite clay, metal, water, wood, nylon

Linda Swanson

25” x 16” x 16"

Brendan Tang

H: 12 x W: 32 x D: 9, Ceramic (low-fire clay, underglazes, oxides, glaze, gold luster, andelectric-fired), 2012

Zach Tate

Porcelain, Found Doors, Beeswax, Acrylic Medium. 84”H x 30” W x 20”D. 2015

Jordan Taylor

2018, Installation: ceramics, metal, wood, fabric, wool, wire, paint, epoxy, video, 156 x 216 x 216”

Jared Theis

porcelain, wood, flocking, hardware, Fall 2010

Colleen Toledano

porcelain, glaze, wire, frame, 10 x 3 x 10”, 2016

Michelle Tobia

2012, clay slip, fiber insulation, cement, metal rods, 87 x 63 x 63 in.

Suzanne Torres

2013, Solo Exhibition at The Thelma Sadoff Center for the Arts, Fond du Lac, WI

Novie Trump

2005-06, 5’ 4”, (The Mattress Factory, Pittsburgh, PA), plasticene, metal armature

Edie Tsong

slipcast cone 6 porcelain with underglaze illustration, 16"x12"x9“, 2014

Shalene Valenzuela

26 x 8 x7”, ceramic, mixed media, 2013

Monica Van Den Dool

Ceramic, 2003, 15"x13"x13"

Sidonie Villere

porcelain with underglaze, 15x12x12

Triesch Voelker

porcelain and gold leaf, 53.5”x36”x39.5”, 2015

Matt Wedel

Adam Welch, “Fetish Series: Red”

Adam Welch

earthenware; hand-built; under-glaze; glaze; cone 03; H. 23” X W. 26” X D. 4.25”

Dryden Wells

ceramic, L= 55 inches H= 60 inches

Matthew West

porcelain, wire, h.8 x w.10 x d.10 inches, 2013

Blake Williams

2012, Porcelain, Plexiglas, hardware; 35”h x 24”w x .5”d

Janet Williams

38 x 38 x 8”, porcelain, inlay, glaze, steel, 2006

John Williams

Ceramic, 13”x14”x13”, 2014

Russell Wrankle

Earthenware and stoneware, low-fire glazes, 14.5 x 10 x 4.5 inches, 2018

Merrie Wright

Chuck Owens

Porcelain, 4”H x 7”W x 7”D

Kyounghwa Oh

stoneware, lustre, 7" x 12 1/4" x 6", 2006

Richard Notkin

Ceramic, steel, found wood, rope, underglaze, wash, 64x16x14”, 2016

Tyler Nicholson

2010, earthenware, glaze, underglaze, found objects

Heather Nameth Bren

Fired Ceramic, Birch Plywood, 15’ x 48” x 72”

Shawn Murrey

Wood-fired Stoneware and steel, 21 x 10 x 46 inches, 2012

Matt Moyer

Low-fire Ceramic, Glaze, Plastic Model of the HMS Titanic, Wood, Epoxy

Peter Morgan

114 x 110 x 14 in., painted, glazed, and reinforced ceramic, 2004

Steven Montgomery

Jeffrey Mongrain

28x28x40 cm, 2017

Ryan Mitchell

wood, clay, glaze, 10" x 10" x 10"

Eric Mirabito

mixed media, (see image description), dimensions variable, 2008

Chris Miller

22” x 12” x 15”, acrylic, HO-scale figures and wood, 2012

Susan Meyer

Ceramics/found objects, 3’x10’x6’, 2011

Ian Meares

Hand-built stoneware, multiple glaze firings, 23x15x15”

Jon McMillan

porcelain, reclaimed wood, cement

Marianne McGrath

2011, Archival pigment print, from performance with soundscape

J.J. McCracken

Earthenware with bone charcoal and graphite

Mathew McConnell

thrown, sprig, cone 6, porc., h. 7in., 2012

Kate Maury

2014, felt, light, hand knit and dyed cotton net, dimensions vary: ceiling height: 18’, Installed at Loveland Feed and Grain, Loveland, CO

Claudia Mastrobuono

large: 7.5" x 4" x 2.5", small: each 5" x 4" x 2", porcelain, 2017

Roberta Massuch

A.M. Martens

Porcelain and vinyl, 28in X 14in X ½in, 2016

Shalya Marsh

Mike Maguire

plastic sheet, graphite, hardware, logs, ratchet straps, 72 x 96 x 72 in., 2014

Joseph Madrigal

Kate MacDowell, “Clay Pigeons: explosion”

Kate MacDowell

red earthenware, slips, glaze. 20"h x 28"w x 28"d, 2013.

Lauren Mabry

2017, Ceramic, 14 x 9 x 7

Tyler Lotz

Linda Lopez

Ceramic, Glaze, Wire, Pig Intestine, Wax, & Mixed Media, 22”x10”x10", 2012

Carrie Longley

Stoneware and glazes. 65 cm h x 55 cm Ø. From Pierre Marie Giraud.

Morten Lobner Espersen

Ceramic, Acrylic, 10 x 11 x 4 inches, 2013

John Oliver Lewis

Todd Leech “Carousel”

Todd Leech

Porcelain (65 x 47inches)

Haejung Lee

2013, 8’x3’8”x2’, Terracotta and dimensional lumber

Adam Ledford

dimensions vary, 2013

Sean Larson

4/2011, Porcelain, 24x27x18”

Ryan Labar

H 3’x W 12”x D 22”, cast porcelain, found objects, wood copper wire 2016

Debbie Kupinsky

2017, porcelain, paint, artificial grass, sand, 12”H (installation dimensions variable)

Bethany Krull

multi-fired midrange white stoneware with gold luster, 42x27x19, 2013

Alex Kraft

Porcelain, decals, gold luster, 12 x 6 x 22.5” 2016

Dustin Yager

painted ceramic, wigs, undergarments, cast latex, 30’ panoram

Liz Zacher

Low Level Complexities, Discretionary Placement, Symbol/Sign and Arbitrary Syntax

Chanda Zea

Thrown, altered and assembled porcelaine, 29 x 22

Eva Zethraeus

Porcelain, 13” x 16”, 2012

Scott Ziegler

Video projection, ceramic, lace, steel, red thread, 10’ x 9’ x 9’, 2015

Xia Zhang

Glazed Ceramic, Aluminum Leaf & Vinyl, 15” x 22” x 11”, 2015

Matt Ziemke

2014, Porcelain with original silkscreened and vintage overglaze decals, Kutani raised enamels, gold and white gold, 16” x 16” x 16”

Valerie Zimany

2013, 140 x 21 x 18 inches, Fired Clay and Glaze

Taehoon Kim

20" x 8" x 18", stoneware, 2006

Meagan Kieffer

earthenware, luster, chameleon color changing automotive paint, 7.5x 24x 2"

Shane Keena

Slip-Cast, Low Fire White Clay, Cone 06, Commercial Glazes and Gold Luster, 22” x 12.5” x 10”, 2013

Brett Kern

Ceramic, unfired clay, wire and glaze, 25’ x 32’ x 12’, 2012

David Katz

Earthenware. Fired to cone 04. 14" x 8" x 12" 2009

Cara Jung

Ji Wan Joo

ceramic, plywood, magnets, 4" x 5", 2010

Brian R. Jones

31x15x14, porcelain, 2016

Peter Christian Johnson

Porcelain, mixed media, 57” x 14” x 10”, 2018

Darien Arikoski-Johnson

2014, Unglazed hand-built ceramics, fired to cone 1 in reduction, 38”x34”x10”

Chuck Johnson

22”w x 78”h x 37”d (in), Earthenware clay, metal wire 2012

Nayoung Jeong

Porcelain 15”h x 12” dia.

Janice Jakielski

17” x 15” x 15”, hand built raku clay, glaze, luster, 5/2017

Roxanne Jackson

Porcelain, Glaze, Wire, 3 pcs. each approx. 5”x13”x5”, 2012

Erica Iman

stoneware, glaze, flocking and paper 18x22x9in.

Liz Howe

MFA Thesis Exhibition 2014

Andrew Hoeppner

ceramic, slip, stain, glaze, whiskers, size varies, 2008

Brooke Hine

Steve Hilton, “White and Black 15”

Steve Hilton

Cast Porcelain, Steel, Cable, 2008

Dave Hicks

2014, porcelain, dimensions variable

Lauren Herzak-Bauman

* see image list for more information

Gail Heidel

2013, Slip Cast Porcelain, graphite on vellum, drawing 60” x 48” vessels each 10” x 6” photo credit: Peter Lee and Northern Clay Center

Del Harrow

hand formed black clay, resin, wood, 25" x 16" x 9.5"

Rain Harris

(Collaboration with Tobias Fike), 2013, live performance

Matt Harris

Holly Hanessian, “New Histories: Gadsden Farm Project”

Holly Hanessian

Ceramic, 36 x 24 x 1in, 2016

Gustav Hamilton

2012, Ceramics, 20”x18”x11”

Sarah Hahn

Slip cast and found-manufactured ceramic, wood, 84 x 14 x 6”

Jason Hackett

16”x40”x36”, cone 1 porcelain, 2014

Sarah Gross

2011, glass, aluminum, pigments, 36” x 240" x 3”

Virginia Griswold

Stoneware, 37x43x22, 2012

Gerit Grimm

reinforced ceramic, automotive paint, 38” x 31” x 9”, 2008

Joseph Gower

26” x 17” x 7", Terracotta, handbuilt, press molded slip cast with slips, underglazes and glazes

Carol Gouthro

2012, 40” H x 45”L x 13”D, Stoneware, napkin

Christine Golden

Magda Gluszek, “Reflection”

Magda Gluszek

porcelain and handmade glaze cone 6, Victorian gingerbread architectural elements, 12” x 12” x 22”, 2007

Cynthia Giachetti

2010, life size: 18,5 x 20 x 11 inch (47 x 50 x 27 cm ). Hand build ceramics and pigments, fired at 1868°F (1020°C)

Gert Germeraad

Porcelain, 6.5” x 3.5” x 3.5” (avg. each), 2016

Ron Geibel

Unfired Porcelain, Traditional Ware Boards, Photography, Site Specific Installation

Nick Geankoplis

Stoneware, glaze, slip-cast figure, re-fried found object, 8” x 8” x 2.5”

Jessica Gardner

2012, 32” x 11” x 15”, Ceramic

Misty Gamble

terracotta, glaze, underglaze, gouache, and varnish, 5” x 11”

Lauren Gallaspy

David Gallagher

20'' X 25" X 6", Stoneware, wood acrylic, decals, 2009

Erin Furimsky

Stoneware, lacquer, 36 x 30 x 30in, 2010

Tommy Frank

Video Still, 2011, Raw clay, Body paint, Mirror, Cast porcelain modeling tools

Teri Frame

Jennifer Forsberg, ”Jordränta”

Jennifer Forsberg

12" x 12” x 1”. Earthenware. 2019

Shanna Fliegel

Ceramic, 14 x 10 x 8 inches, 2016

Jacob Foran

long vessel, stoneware, 12 x 12.5 x 10.5" 2013

Kathy Erteman

Porcelain, saltwater, reclaimed wood, 20’ diameter, 2006

Naomi J. Falk

slab-constructed terracotta, 2013, low-fire oxidation, #5: 9 x 9 x 7 in., #6: 9 x 10 x 8 in.

Lynn Duryea

Terra cotta clay and cone 06 glaze, 22” X 15” X 7”, 2014

Emily Duke

The Hubris of Apollo Creed, 2007, dimensions variable, terracotta, paint, glitter, plastic ornaments, wooden plinth

Benjamin Demott

Nut Boll, cone 6 porcelain, glaze, flocking, latex, 15” x 16” x 19”, 2009

Joe Davis

Learning to Fly Dreaming, 2010, ceramic, cone 1

Israel Davis

Raft Lake Fable: “project tree fort”, hand built stoneware and slip cast

Stephanie Craig

Patrick Coughlin

urban rebutia at Seattle Design Center (30,000 pieces), Seattle Design Center, Seattle, Washington. March 26-31, 2012, porcelain & engobe, 72 X 168 X 336 inches (approximate installation dimensions)

Patsy Cox

Habitat, L 18” x H 10” x W 4”, Slip Cast and Hand Built Earthenware, 2012

Craig Clifford

Progress, porcelain and glass, 5” x 11” x 11”

John Chwekun

Elk, clay, wood, ceramic, 4’x9’x4’, 2006

Shay Church

It blooms on the day ... #2, 2004, Ceramics, Plexiglas rods, 50x50x42 cm.

Ying-Yueh Chuang

Stoneware, Earthenware, Cone 04 Gas Reduction, H 41” x L 49” x W 52”

Ray Chen

Do I dare to eat a peach?, 9"h x 25"l x 6.5"d, 2006, stoneware

Beth Cavener

ceramic, luster, fur, 2017

Andrew Casto

Branches II, Earthenware, 10 meters high, 2003, Nordic Contemporary Craft

Backa Carin Ivarsdotter

And the River Floweth On, Collaborative exhibition with Shawn Skabelund, shelled corn, mapped video projection, Greiner Art Gallery, Hanover College, Hanover, IN

Tiffany Carbonneau

Because I’ll carry you everywhere, Removed drywall from my studio embedded in the bedroom wall I grew up in, removed wall section from my bedroom, studio (pictured drywall in bedroom, still taken from video), 2011-ongoing

Brian Caponi

Glazed ceramic, encaustic, 11 x 11 x 15”

Josephine Burr

Jeremy Brooks, “Greener Greens / The White Rabbit”

Jeremy Brooks

Mandala, (at Austin Bergstrom Airport, Austin, TX), Cone 6 Oxidation, Lights, 10’x10’x2’

Karen Bolton

10” x 5” x 3”, earthenware

Nikki Blair

Slip-cast porcelain with low-fire glazes and lusters, Installation of multiple small sculptures

Susannah Biondo-Gemmell

Re-evaluated Flutina’s, Porcelain, Wood, H9”x W21”x D11”

Nate Betschart

2016, mixed media, 12 x 144 x 72”

Brian Benfer

A Plunger’s Logic, 2012, Glazed Stoneware, Foam, Paper

Zimra Beiner

Cynosure I, 48” x 28” x 28” Ceramic + Mixed

Kyle Bauer

H 21” x W 25” x D 7” 2015, Wood, Stoneware Fired and Steel Plate

Kenneth Baskin

Thomas Müller, “white whale”

Thomas Muller

Low fire clay, plastic, paper, paint, video projection, 2’ x 4’ x 6’, * see image list

Sarah McNutt

2017, 6ft long x 4ft wide x 2ft high, Waxed Canvas, Wood, Found and Altered Object, Ceramic

James Barker

Wall Platter (Blue), 14"h x 30"w x 6"d, Yixing teapots and glazes, 2004

Daniel Bare

8” x 3” x 15”, Wood Fired Stoneware, Reduction Cooled, Wood

Seth Charles

Earthenware, Terra Sig, Glaze, Stains, Luster, Concrete, Paint, 2016, 18”x 15”x8”

Travis Winters

Ceramic, Latex paint, Unfired clay, Wood, 9’x7’, 2014

Jennifer Degges

Earthenware, Leather, Hardware, 96”x84”x4”, 2013

David Bogus

RO-62 clay, ashwood, 2015

Lindsey Dezman

Suicide Hotline, ceramic, wood soda fired, 50x22x12"

Jesse Albrecht

Miss That Feeling of Feeling, Terra Cotta, Glaze, Wool, 15x8x8, 2010

Ben Ahlvers

Panorama of Desire, Unfired earthenware clay, cardboard, carton tape, wood, Installation view, 2013

Chad Curtis

Ceramic, paint, graphite, foam, wood, caster wheels, 2015, 44” x 26” x 30”

Alanna Derocchi

Terracotta, slip, engobe, and glaze, 20”x 20”x 3”, 2015

Jessica Brandl

Chomp, 2012, 48” x 36” x 20”, ceramic and mixed media

Trevor Bennet