My artwork explores my notions of identity and home through the creation of illustrated ceramic sculptures. Using female figures, iconography, and domestic scenery, I present personal themes of femininity, memory, and mental health to discuss what are ultimately universal experiences. I illustrate emotionally honest imagery that is both specific to me and relatable to others. By providing viewers with these images and no explanations, I invite them to imagine their own narratives.
I use porcelain and Rococo imagery to reference decorative objects from the past. Both have a long history of representing social status and wealth, but in contemporary society can be seen as kitsch. These references create a sense of familiarity, as many of us were raised with objects like figurines, commemorative plates, and framed paintings.
I draw inspiration from historical portraiture for my figure’s forms, clothing, and some imagery. Themes like longing, love, fragility, strength, and family have been depicted in art throughout history. Although we often feel isolated in our experiences, looking at women from the past helps me to see that I am not alone and to feel a sense of validation. I hope others can connect to my work in similar ways.
— Sara Morales-Morgan
Sara E. Morales-Morgan is an artist from San Jose, California, and Hartselle, Alabama, currently located in Baltimore, Maryland. Her artwork explores her notions of identity and home through the creation of illustrated ceramic sculptures. She earned her Master’s degree in Ceramics from Edinboro University of Pennsylvania in 2016 and her Bachelor’s degree in Studio Art from the University of South Alabama in 2012. She has exhibited her work in over 50 exhibitions nationally; most notably in the 2017 Zanesville Prize for Contemporary Ceramics, the Archie Bray Foundation’s “Beyond the Brickyard” exhibition, the annual National Conference for the Education of Ceramic Arts; and at the Dairy Barn Arts Center’s “OH+5: Ohio Border Biennial” exhibition, where she won “Best in Show.” Her work has been published in Ceramics Monthly and in “500 Figures in Clay, Volume 2” by LARK Books. She has been a resident artist at the Arrowmont School of Arts and Crafts’ “Pentaculum,” at the Watershed Center for Ceramic Arts as a Kiln God Award recipient, and at Baltimore Clayworks as the 2016 – 2017 Lormina Salter Fellow. Sara is currently the Marketing Associate and Shop Manager at Baltimore Clayworks, and makes work out of her home studio in Baltimore.